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This work, created by the artist HÖK , is an explosion of colors, symbols and cultural references that fits into the urban pop art style. The work features a character inspired by the iconography of the Joker, famous for his exaggerated smile and vibrant colors. This character is often used to represent concepts such as duality, madness or social criticism. Elements of pop culture can be seen, including the iconic Coca-Cola logo, which symbolises consumer society and globalisation. Words and phrases like "Love is a game," "Power to the People," and "Love" add a textual dimension, prompting the viewer to reflect on love, power, and ideals. The palette is dominated by bright, saturated colors: red, blue, green, yellow, and pink, typical of pop art. Techniques include paint splashes, graffiti, and overlays, creating an energetic and chaotic effect. Black lines reinforce the contours of the character and give visual structure to the work. The style evokes a fusion between Warhol's pop art and modern street art influences. The use of brands like Coca-Cola and popular cultural figures highlights a critique or reflection on the omnipresence of media and capitalism in our daily lives. In short, this work by Hök is a provocative homage to contemporary culture, combining urban art and pop symbolism. It challenges societal themes while captivating with its visual energy.

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Just Dali is a print made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. Mr Strange offers here a very well-known portrait of Salvador Dali by replacing his famous mustache with the Nike logo. Delivery time: 2 weeks

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Discover this magnificent sculpture called "Koinè" made in a forge with corten steel, limited to only 50 copies and coming directly from the artist's workshop Filippo Pietro Castrovinci . This work is made up of 3mm steel strips, each of them spaced 2mm apart. This work is the result of a careful and constantly evolving study carried out by the artist who is always experimenting with new design and creation techniques, where the ancient and the modern mingle. Here, the sculptor takes the famous mouth, widely used in pop art, and names it Koinè which is an ancient language spoken in Greece between 330 BC. JC and 330 AD. JC.

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The adventurer is a print made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. The artist Mr Strange uses self-deprecation through the works he offers. Here, he stages an improbable situation where a giraffe decides to take the wheel to experience his own safari. Delivery time: 2 weeks

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In La Bohème , Willis celebrates the passion, carefreeness, and freedom of love. Against a backdrop of explosive rays in vivid hues— fuchsia pink , electric blue , and pure white —two faces intertwine in a loving embrace, their eyes closed, lost in the moment. The composition evokes a raw emotional intensity, reinforced by black splashes and enigmatic symbols like hearts and a question mark. The artist draws on the aesthetics of street art to create a scene that is both intimate and graphic , where the geometric lines of the background contrast with the softness of human curves. This background, which almost evokes a shattered flag or a modern stained-glass window, perhaps symbolizes the social, cultural, or emotional structure within which love tries to fit—or escape. Willis's signature "W", placed at the bottom right, affirms the identity of this work: free, urban, alive. La Bohème is not simply a tribute to love: it is a declaration of freedom, an ode to passions without rules, to the beauty of the suspended moment.

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Very original bronze sculpture by the artist Mitch Richmond representing a cap of the Los Angeles Dodges baseball team. Molded and sculpted by hand, this cap is intended to be a post-apocalyptic vestige that would have remained in the depths of the oceans with this antique-style patina.

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La Conquest is a print made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. Mr Strange handles surrealism with a certain dose of derision by representing humans colonizing the Moon as if they were a source of pollution in previously unoccupied places. Delivery time: 2 weeks

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La Danse Amoureuse is a four-handed work that combines two distinct but complementary artistic worlds. On the left, Jérôme Mesnager unfolds his iconic white silhouette, a symbol of life, movement, and freedom. Two stylized bodies intertwine in a fluid dance, vibrant with energy, against a vibrant orange backdrop that intensifies the warmth and vitality of the scene. On the right, the universe of Lasveguix brings an urban and chaotic dimension. Collages, torn posters, popular icons, and fragments of faces compose a teeming mosaic, imbued with memory and street culture. Batman, punk slogans, anonymous portraits, and tags overlap, evoking the fragility of time and the expressive power of the city. The encounter between the two styles creates a poetic tension: Mesnager's timeless, amorous impulse engages with Lasveguix's visual and historical depth. This work thus becomes a metaphor for love at the heart of urban tumult—a light, universal dance that resists the noise and fragments of the contemporary world.

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“Liberty flouted” is a print made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. The artist Mr Strange chose to represent freedom and women's rights through the Statue of Liberty who comes down from her pedestal when these are violated. Delivery time: 2 weeks

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This piece of street art features a bold interpretation of the famous mascot of "The Laughing Cow". It occupies a canvas measuring 105 cm high by 85 cm wide. On a vibrant blue background, characteristic of the style of the Freda People , the cow is depicted in an exuberant and colorful way, faithful to its iconic image but with a contemporary twist. The contours are marked and the colors saturated, contrasting strongly with the background, creating a dynamic visual effect. The details add an unexpected depth, bringing this familiar icon to life in a modern urban context. The whole work exudes a positive energy, inviting the viewer to revisit with humor and nostalgia this popular figure of French culture.

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Last Man Standing - Street Velvet Blue was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Last Man Standing (LMS) Street Velvet Green was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with a very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Last Man Standing - Street Velvet Orange was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Last Man Standing - Street Velvet Purple was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Jean-Philippe Ghiglione 's painting (oil on canvas applied with a palette knife) depicts a vibrant ball scene in the South of France, bathed in warm reds and yellows. At the center of the composition, a couple in traditional costume dance elegantly. Their movements are captured with remarkable fluidity, the bright colors of the costumes blending harmoniously with the flamboyant background. To the right, a focused and passionate accordion player brings the scene to life with his music, his expert hands gliding over the instrument. The oil paint, applied with a palette knife, creates a rich and dynamic texture, bringing to life this festive and warm atmosphere of the South of France.

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This work of Jean-Philippe Ghiglione depicts a cockfight in the artist's characteristic Abstract Expressionist style. Painted with a palette knife and great energy, the composition captures the intense movement and dramatic tension of the confrontation. The subject depicts two roosters facing off, frozen in a fighting posture, almost symmetrical, but each retaining its own dynamic. The color palette is vivid and contrasting, dominated by warm tones—red, orange, yellow—that evoke combativeness and vitality, and dark tones—black, gray, touches of white—that accentuate confrontation and strength. The knife strokes are powerful and edgy. The impasto adds substance to the feathers and conveys the violence and brilliance of the duel. The almost blank white background highlights the roosters' movement and focuses the eye on the central scene, without distraction. This cockfight goes beyond the animal anecdote to become a metaphor for duality, rivalry, and even controlled chaos. The pictorial gesture evokes struggle, instinct, and the immediacy of the clash. Jean-Philippe Ghiglione's signature, visible at the bottom right, anchors the work in its artistic identity, mixing abstraction, gestural energy and strong symbolism.

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The Crash is a print made by Mr Strange using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. Here it features a pilot who survives after the crash of his plane, parodying a scene that is very often found in American cinema. Delivery time: 2 weeks

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The table of Jean-Philippe Ghiglione depicts a majestic lion at the center of the composition, captured in all its splendor and power. The white background highlights the main subject, creating a striking contrast that immediately draws the eye. The lion, painted in oil on canvas, is rendered in tawny hues, evoking the warmth and wildness of the savannah. The colors, vibrant and intense, range from golden yellow to earthy brown. The knife application adds a rich texture and an almost sculptural dimension to the painting. The knife strokes are visible, creating ridges and valleys in the material, giving the lion's coat a tactile and lively quality. The lines are both sharp and dynamic, capturing the animal's contained energy. The lion's gaze, piercing and charged with a regal gravity, seems to pierce the viewer, adding emotional depth to the work.

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