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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons Freda People tackles here a reinterpretation of the Pink Panther. The Pink Panther is a fictional character created by Friz Freleng and first appeared in 1963 in the opening and ending credits of Blake Edwards' film.

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First-rate lithograph by Margot Laffon, edition 1/10, highly prized by collectors. It is unframed and represents a superb large format work by the renowned artist Margot Laffon. This lithograph is inspired by bullfighting and highlights the emancipation of women. This artwork is of exceptional quality, printed on museum quality fine art paper, with a weight of 310 grams, 100% cotton and acid free. The Ultrachrome pigmented inks used are unalterable and guaranteed to resist for 50 years. In addition, each copy is hand-signed by the artist and bears his personal stamp.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People tackles here their reinterpretation of the Pringles logo known throughout the world. Created in 1967 in the United States by Alexander Liepa, it has been owned by Kellogg's since 2012.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People is tackling here a reinterpretation of the Bored Ape (from the Bored Ape Yacht Club) created by Yuga Labs which is in reality a collection of around 10,000 avatars that can be obtained in the form of NFT and of which the most known was sold in 2021 for almost $2.9 million. Here, the Bored Ape is dressed as David Bowie with a lightning bolt on his face in the style of the album Aladdin Sane, the rock legend's sixth studio album.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People is tackling here a reinterpretation of the Bored Ape (from the Bored Ape Yacht Club) created by Yuga Labs which is in reality a collection of around 10,000 avatars that can be obtained in the form of NFT and of which the most known was sold in 2021 for almost $2.9 million. Here, the Bored Ape is revisited once again by the Freda People brothers in the style of street art by using the codes of street art.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People is tackling here a reinterpretation of the Bored Ape (from the Bored Ape Yacht Club) created by Yuga Labs which is in reality a collection of around 10,000 avatars that can be obtained in the form of NFT and of which the most known was sold in 2021 for almost $2.9 million. Here, the Bored Ape is revisited once again by the Freda People brothers in the style of street art by using the codes of street art.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People here tackles a reinterpretation of the works of Roy Lichtenstein, one of the most important artists of the American pop art movement. His works are strongly inspired by advertising and popular imagery of his time, as well as comic books.

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Painting on canvas made by hand using acrylic paint and high quality varnish. Accustomed to the use of pop culture icons or superheroes, Freda People here tackles a reinterpretation of the works of Roy Lichtenstein, one of the most important artists of the American pop art movement. His works are strongly inspired by advertising and popular imagery of his time, as well as comic books.

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Exceptional and rare work created by Karl Lagasse using acrylic paint on canvas. This canvas comes directly from the artist's studio and is offered with the artist's certificate of authenticity. In this painting, the artist gives us one of his interpretations of the resurrection of Christ. Through this blood red, we can see the cross of Christ emerging like an imprint by analogy with the shroud of Jesus.

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This is a work on canvas byThierry Auger combining several techniques: assemblages, collages and varnishes. Very decorative, this work represents the Rock years (50s-60s) with Marilyn Monroe, American icon, in the center. At that time, Rock was synonymous with freedom, hence the artist's references to censorship but also to fashion and the beginning of the "People" stories.

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Painting on canvas made by hand using acrylic paint and spray cans. Accustomed to the use of pop culture icons, Outside tackles here a reinterpretation of the logo of the group The Rolling Stones: Big Red Mouth Also known as the Rolling Stones' "Tongue and Lip Design", is undoubtedly one of the most universally recognized logos. It was designed in 1971 by John Pasche, a famous British art designer, for a mere £50.

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Iconic work by the artist Van Apple made using a print on aluminum panel and epoxy resin. The Dutch artist represents here the Queen of England disguised with the codes of David Bowie's album Rebel Rebel (lightning bolt on the face and album logo) with the English flag in Street Art style in the background.

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With Saber Lux , Mitch Richmond delivers a personal and poetic interpretation of Luke Skywalker's lightsaber. This patinated metal work doesn't seek to reproduce the object identically, but to capture its essence: that of a passage, a legacy, an object steeped in history as much as symbolism. The patinated bronze treatment, with its dark and deep accents, gives this sculpture the appearance of a sacred, almost mystical object. The lines are clean yet powerful, alternating between soft curves and industrial rigor. Each detail—the hexagonal wheel, the regular grooves, the sculpted finish—evokes the link between ancient and future, between craftsmanship and technology, between myth and material. By revisiting Luke's lightsaber, Richmond goes beyond a simple reference to Star Wars : he questions what it means to inherit, transmit, and transform a collective symbol into a unique, dense, and silent work.

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Mitch Richmond presents a striking sculpture that blends nostalgia and symbolic power. Inspired by science fiction iconography, this metal work immediately evokes the famous lightsaber from the Star Wars saga, revisited here as a timeless relic. The patinated bronze finish reinforces the effect of an ancient, almost archaeological object, as if this piece had survived the ages. The surface treatment, both raw and masterful, gives the object a visual and tactile density, encouraging the viewer to contemplate the artifact no longer as a futuristic weapon, but as a sculpture in its own right. With this gesture, Richmond transforms a symbol of popular culture into a contemporary work of art, playing with the notions of memory, heritage and the transformation of iconic objects.

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