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Combining several techniques: acrylic on canvas, on paper, lithography and collages, this work is an assemblage on the theme of Steve McQueen. In this work, Elmago will use characters from films, automobile brands, contemporary watchmaking by Steve McQueen and of course portraits of the latter to create a very successful composition.

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In The Heat Of Summer is a magnificent canvas of Ronan Martin representing the heat of summer thanks to the use of resins, pigments and glazes of which he holds the secret, offers spectators a unique aesthetic that no other material can match.

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"Instant paralysis" № I (XL) is a unique piece by the artist Daniel Witschkanow made using high quality acrylic paint with very high pigmentation. The color used is jet black. The artist seeks here to represent a capture of a face at a specific moment as if it were frozen in time.

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Dive into the fascinating world of Lasveguix with this street art creation made using mixed collage techniques. Inspired by the iconic poster for Christopher Nolan's film "Interstellar" , this work features a solitary astronaut in black and white, seemingly emerging from the depths of a torn and superimposed world. Around this central image, fragments of colorful posters , urban typography and graffiti in bright tones - red, blue, green and black - create a striking contrast effect. The torn layers, carefully juxtaposed, evoke an atmosphere that is both cinematic and raw , faithful to the essence of street art. The tags and textures add an authentic and dynamic dimension, while the whole work plays with the idea of time and space , like the film that inspires it. Perfect for fans of science fiction , cult cinema and urban art, this unique collage will bring a modern and bold touch to your interior, celebrating both pop culture and contemporary artistic expression.

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Magnificent canvas on stretcher made by Lasveguix using recovery poster, spray can, acrylic paint and posca. The torn posters give relief and substance to the work and give the impression of owning a piece of wall. Lasveguix offers us here a reinterpretation of the Marilyn diptych, a screen print by the American artist Andy Warhol, and also pays homage to the work of the artist Invader!

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This work of Lasveguix is fully part of the world of street art by paying homage to the iconography of Invader. The two pixel art figures, inspired by the famous video game Space Invaders, emerge in the center of the composition, partially covered by layers of torn paper, graffiti and paint. The accumulation of these layers gives the impression of a living urban wall, witness to the passage of time and the interaction between the artist and the city. Inscriptions such as "INVADER WAS HERE" reinforce this direct reference to the French street artist known for disseminating his mosaics around the world. The pastel color palette, mixing blue, pink and beige, contrasts with the raw aspect of the tears and paint splashes, creating a balance between chaos and harmony. Through this work, Lasveguix captures the essence of an urban art in perpetual mutation, where each trace left by an artist becomes a new layer of history.

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Exceptional and rare work created by Karl Lagasse using acrylic paint on canvas. This canvas comes directly from the artist's studio and is offered with the artist's certificate of authenticity.

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In this powerful work, Lasveguix pays homage to Jean-Michel Basquiat, an iconic figure in urban art and African-American culture. Basquiat's black and white face, dressed in a sober suit and tie, contrasts with the chaotic explosion of torn paper, layers of torn posters, colors, and graffiti surrounding him. The classic portrait is literally invaded by a living urban material, highlighting the tension between the frozen icon and the raw energy of the street. Lasveguix's approach consists of deconstructing the image in order to better recontextualize it, in a visual language made of superimposed layers, textures, and half-erased typography. We can distinguish fragments of words ("err," "live," "you"), bursts of pink, yellow, and black paint, as well as splashes that recall the spontaneous gesture of street art. The result is a portrait that is both reverential and organic, in which Basquiat's identity emerges through the visual tumult as a persistent, rebellious, and mythical presence.

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This work, created by the artist HÖK , is an explosion of colors, symbols and cultural references that fits into the urban pop art style. The work features a character inspired by the iconography of the Joker, famous for his exaggerated smile and vibrant colors. This character is often used to represent concepts such as duality, madness or social criticism. Elements of pop culture can be seen, including the iconic Coca-Cola logo, which symbolises consumer society and globalisation. Words and phrases like "Love is a game," "Power to the People," and "Love" add a textual dimension, prompting the viewer to reflect on love, power, and ideals. The palette is dominated by bright, saturated colors: red, blue, green, yellow, and pink, typical of pop art. Techniques include paint splashes, graffiti, and overlays, creating an energetic and chaotic effect. Black lines reinforce the contours of the character and give visual structure to the work. The style evokes a fusion between Warhol's pop art and modern street art influences. The use of brands like Coca-Cola and popular cultural figures highlights a critique or reflection on the omnipresence of media and capitalism in our daily lives. In short, this work by Hök is a provocative homage to contemporary culture, combining urban art and pop symbolism. It challenges societal themes while captivating with its visual energy.

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In La Bohème , Willis celebrates the passion, carefreeness, and freedom of love. Against a backdrop of explosive rays in vivid hues— fuchsia pink , electric blue , and pure white —two faces intertwine in a loving embrace, their eyes closed, lost in the moment. The composition evokes a raw emotional intensity, reinforced by black splashes and enigmatic symbols like hearts and a question mark. The artist draws on the aesthetics of street art to create a scene that is both intimate and graphic , where the geometric lines of the background contrast with the softness of human curves. This background, which almost evokes a shattered flag or a modern stained-glass window, perhaps symbolizes the social, cultural, or emotional structure within which love tries to fit—or escape. Willis's signature "W", placed at the bottom right, affirms the identity of this work: free, urban, alive. La Bohème is not simply a tribute to love: it is a declaration of freedom, an ode to passions without rules, to the beauty of the suspended moment.

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La Danse Amoureuse is a four-handed work that combines two distinct but complementary artistic worlds. On the left, Jérôme Mesnager unfolds his iconic white silhouette, a symbol of life, movement, and freedom. Two stylized bodies intertwine in a fluid dance, vibrant with energy, against a vibrant orange backdrop that intensifies the warmth and vitality of the scene. On the right, the universe of Lasveguix brings an urban and chaotic dimension. Collages, torn posters, popular icons, and fragments of faces compose a teeming mosaic, imbued with memory and street culture. Batman, punk slogans, anonymous portraits, and tags overlap, evoking the fragility of time and the expressive power of the city. The encounter between the two styles creates a poetic tension: Mesnager's timeless, amorous impulse engages with Lasveguix's visual and historical depth. This work thus becomes a metaphor for love at the heart of urban tumult—a light, universal dance that resists the noise and fragments of the contemporary world.

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This piece of street art features a bold interpretation of the famous mascot of "The Laughing Cow". It occupies a canvas measuring 105 cm high by 85 cm wide. On a vibrant blue background, characteristic of the style of the Freda People , the cow is depicted in an exuberant and colorful way, faithful to its iconic image but with a contemporary twist. The contours are marked and the colors saturated, contrasting strongly with the background, creating a dynamic visual effect. The details add an unexpected depth, bringing this familiar icon to life in a modern urban context. The whole work exudes a positive energy, inviting the viewer to revisit with humor and nostalgia this popular figure of French culture.

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Last Man Standing - Street Velvet Blue was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Last Man Standing (LMS) Street Velvet Green was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with a very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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Last Man Standing - Street Velvet Orange was born in 2004 when RAM painted inside an old factory in Lisbon, and he quickly became one of the icons of Portuguese street art worldwide, with very powerful meaning and symbolism. The artist decided to explore both complex and organic psychedelic styles, as well as minimalist street style... His goal is to produce high quality pieces, rich in meanings and created around solid concepts of freedom and colors.

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