Products

Very beautiful unique work by Joaquim Falco created using mixed media: use of markers, acrylic paint and collage on canvas. Here, the artist revisits the famous diptych of Marilyn Monroe made in screen printing by Andy Warhol in 1962 and which is certainly one of the best-known works of the artist and of Pop Art.

Read more less

Magnificent collage for this work made using recycled materials (torn posters). Lasveguix here highlights Elizabeth II "The Queen", who was queen of the United Kingdom of Great Britain and Northern Ireland and the other Commonwealth kingdoms and who became a Pop art icon of the United Kingdom

Read more less

Magnificent work created using recycled materials (torn posters, cardboard), all enhanced using spray paint, posca, bic and stickers. Here the artist Lasveguix gives another dimension to Grendizer, a gigantic two-part extraterrestrial war machine, very heavily armed, which appeared in the form of a cartoon at the end of the 1970s.

Read more less

This work is born from the meeting of two complementary universes. In the background, Lasveguix creates a vibrant urban fresco: torn posters, fragments of typography, pop culture heroes and torn materials form a raw mosaic, like the walls of a city saturated with collective memory and popular imagination. Among these layers, we can guess the mythical figure of Goldorak , an intergenerational icon, emerging like a heroic totem in the midst of chaos. On the glass that protects the collage, Wawapod intervenes with its characteristic visual language: a grid of colored dots, almost pixelated, which acts as an optical filter and a contemporary reinterpretation. This graphic veil transforms the perception of the work, blurring it and revealing it at the same time, recalling the codes of both digital and screen printing. By combining their gestures, the two artists offer a dual interpretation: Lasveguix's nostalgic and urban memory interacts with Wawapod's rhythmic pop abstraction. The whole becomes a hybrid work, both a tribute to childhood and an aesthetic exploration of the contemporary gaze.

Read more less

Combining several techniques: acrylic on canvas, on paper, lithography and collages, this work is an assemblage on the theme of Steve McQueen. In this work, Elmago will use characters from films, automobile brands, contemporary watchmaking by Steve McQueen and of course portraits of the latter to create a very successful composition.

Read more less

Dive into the fascinating world of Lasveguix with this street art creation made using mixed collage techniques. Inspired by the iconic poster for Christopher Nolan's film "Interstellar" , this work features a solitary astronaut in black and white, seemingly emerging from the depths of a torn and superimposed world. Around this central image, fragments of colorful posters , urban typography and graffiti in bright tones - red, blue, green and black - create a striking contrast effect. The torn layers, carefully juxtaposed, evoke an atmosphere that is both cinematic and raw , faithful to the essence of street art. The tags and textures add an authentic and dynamic dimension, while the whole work plays with the idea of time and space , like the film that inspires it. Perfect for fans of science fiction , cult cinema and urban art, this unique collage will bring a modern and bold touch to your interior, celebrating both pop culture and contemporary artistic expression.

Read more less

Magnificent canvas on stretcher made by Lasveguix using recovery poster, spray can, acrylic paint and posca. The torn posters give relief and substance to the work and give the impression of owning a piece of wall. Lasveguix offers us here a reinterpretation of the Marilyn diptych, a screen print by the American artist Andy Warhol, and also pays homage to the work of the artist Invader!

Read more less

This work of Lasveguix is fully part of the world of street art by paying homage to the iconography of Invader. The two pixel art figures, inspired by the famous video game Space Invaders, emerge in the center of the composition, partially covered by layers of torn paper, graffiti and paint. The accumulation of these layers gives the impression of a living urban wall, witness to the passage of time and the interaction between the artist and the city. Inscriptions such as "INVADER WAS HERE" reinforce this direct reference to the French street artist known for disseminating his mosaics around the world. The pastel color palette, mixing blue, pink and beige, contrasts with the raw aspect of the tears and paint splashes, creating a balance between chaos and harmony. Through this work, Lasveguix captures the essence of an urban art in perpetual mutation, where each trace left by an artist becomes a new layer of history.

Read more less

In this powerful work, Lasveguix pays homage to Jean-Michel Basquiat, an iconic figure in urban art and African-American culture. Basquiat's black and white face, dressed in a sober suit and tie, contrasts with the chaotic explosion of torn paper, layers of torn posters, colors, and graffiti surrounding him. The classic portrait is literally invaded by a living urban material, highlighting the tension between the frozen icon and the raw energy of the street. Lasveguix's approach consists of deconstructing the image in order to better recontextualize it, in a visual language made of superimposed layers, textures, and half-erased typography. We can distinguish fragments of words ("err," "live," "you"), bursts of pink, yellow, and black paint, as well as splashes that recall the spontaneous gesture of street art. The result is a portrait that is both reverential and organic, in which Basquiat's identity emerges through the visual tumult as a persistent, rebellious, and mythical presence.

Read more less

King Kong Wall Fragment is a vibrant work, the fruit of the collaboration between Jérôme Mesnager , famous for his emblematic white figures, and Lasveguix , street artist known for his explosive and colorful world. Against a backdrop of reconstructed urban wall fragments, tagged with multiple graffiti and splashes of bright colors, we find the dynamic silhouette of a "white body" of Mesnager, in confrontation with a ferocious King Kong, taken from a realistic collage. The words "KING," "WHY?" and "BECAUSE" pop up throughout the work, reinforcing its raw and spontaneous message. This framed painting captures all the energy of Parisian street art, mixing symbolic violence, visual poetry and controlled chaos. Framed size: 42 x 32 x 3 cm

Read more less

La Danse Amoureuse is a four-handed work that combines two distinct but complementary artistic worlds. On the left, Jérôme Mesnager unfolds his iconic white silhouette, a symbol of life, movement, and freedom. Two stylized bodies intertwine in a fluid dance, vibrant with energy, against a vibrant orange backdrop that intensifies the warmth and vitality of the scene. On the right, the universe of Lasveguix brings an urban and chaotic dimension. Collages, torn posters, popular icons, and fragments of faces compose a teeming mosaic, imbued with memory and street culture. Batman, punk slogans, anonymous portraits, and tags overlap, evoking the fragility of time and the expressive power of the city. The encounter between the two styles creates a poetic tension: Mesnager's timeless, amorous impulse engages with Lasveguix's visual and historical depth. This work thus becomes a metaphor for love at the heart of urban tumult—a light, universal dance that resists the noise and fragments of the contemporary world.

Read more less

Magnificent work created using recycled materials (torn posters, cardboard), all enhanced using spray paint, posca, bic and stickers. Here the artist Lasveguix has created a magnificent, very detailed painting, which represents a section of a London wall using many references from the city and which will fit very well into your home.

Read more less

This work of Lasveguix embraces a raw urban aesthetic, somewhere between collage, repurposing, and graffiti. The background is made up of successive layers of torn-off posters, typographic fragments, and advertising images reminiscent of the city's saturated walls, bearers of overlapping visual memories. In the center, a black and white visual takes up the iconography of the famous video game Space Invaders , accompanied by the word "LOST", reinforcing the idea of disappearance or wandering in the urban visual chaos. Above, a graffiti in thick and spontaneous black letters announces "INVADER WAS HERE", a direct nod to the street artist Invader and his practice of marking territory with his mosaics. A blue halo in the background highlights the inscription, as if to give it a particular aura, while the torn colors and textures of the posters contribute to the palimpsest effect. The work questions traces, memory, and ephemerality in public spaces: what is glued, covered, scratched, and then reappropriated. It creates tension between popular culture (video games, street art) and the poetic decomposition of city walls.

Read more less