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This striking work by the artist Popik is a fusion between comics and sculpture, giving a new dimension to pop art and geek culture. The artist diverts a cover of the comic L'Uomo Ragno (Italian version of Spider-Man ), integrating a fist in relief, emerging from the frame as if he wanted to break the boundary between fiction and reality. Made using laser synthesis technology, which allows for layer-by-layer 3D printing using powder, this sculpture highlights meticulous work on textures and material effects. The integration of torn elements and sculpted details reinforces the visual power of the work, evoking the brute force of the superhero and the impact of pop culture on our collective imagination. A unique and striking piece that plays on the contrasts between the two-dimensional design and the three-dimensionality of the sculpture, making this creation a true collector's item.

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A very original work, this sculpture was created using several techniques, including selective laser sintering which allows 3D printing using powder layer by layer. In this very successful sculpture, Popik features Hulk (Bruce Banner), a difficult-to-control superhero evolving in the Marvel universe, trying to escape from the comics and holding Spiderman in his hand.

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This original work by Popik stages a spectacular interplay between comics and sculpture. A copy of issue number 1 of "Fantastici Quattro" (Fantastic Four in Italian) appears to literally explode under the impact of a massive, embossed fist, which bursts from the paper as if piercing a barrier between fiction and reality. The fist represents The Thing , one of the iconic members of the Fantastic Four, with its characteristic rocky texture. The staging plays on the effect of trompe-l'oeil and dynamic destruction, giving the impression that the superhero is stepping out of the comic book and into our world. This hybrid creation, a cross between pop art and sculpture, pays homage to the world of comics by instilling an impression of movement and raw energy, faithful to the explosive spirit of superhero comics.

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This is a work from the Rust Art movement which consists of creating a work from recycled materials. Limited to 5 copies, Nino Raso used laser printing on an aluminum plate to represent the most famous painting in the world: The Mona Lisa by Leonardo da Vinci. This technique allowed him to give an aging and rusty appearance to his creation which offers a very original result.

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Global Warming is a print made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. Mr Strange here offers his vision of global warming using the metaphor of a polar bear walking on a North American road in search of a new habitat. Delivery time: 2 weeks

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Magnificent collage for this work made using recycled materials (torn posters). Lasveguix here highlights Elizabeth II "The Queen", who was queen of the United Kingdom of Great Britain and Northern Ireland and the other Commonwealth kingdoms and who became a Pop art icon of the United Kingdom

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This steel sculpture, created by the artist Léa Poncharal , is a striking work that combines the strength of metal with the delicacy of golden butterflies. Entitled "AMOR" , it presents this word in imposing and textured letters, enhanced by a rich application of golden oil paint. Around and on the letters, butterflies seem to fly away, symbolizing lightness, ephemerality and transformation. The contrast between the rigidity of the steel and the organic fluidity of the butterflies brings a unique dynamic to this piece, evoking the idea that love, although rooted in matter, remains a living and constantly moving feeling. The whole rests on an elegant base, emphasizing its sculptural and refined character.

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In this work, Mitch Richmond repurposes the iconic Stormtrooper helmet from the Star Wars universe to create a resolutely contemporary sculpture, as brilliant as it is introspective. Entirely covered in mirror chrome, the object becomes a reflective surface—both literally and figuratively. The mirror effect questions the individual's place in the systems they blindly serve, like the anonymous imperial soldiers. The work oscillates between pop culture and societal critique. By freezing this symbol of conformity and obedience in gleaming metal, Richmond transforms it into a luxurious and paradoxical totem. The viewer sees their own reflection, trapped in a helmet that seems to say, "Who are you behind the mask?" This piece questions identity, standardization, and the power of symbols in our collective imagination. Through this frozen armor, Mitch Richmond invites us to reflect on our own role in the narratives we consume and perpetuate.

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Magnificent work created using recycled materials (torn posters, cardboard), all enhanced using spray paint, posca, bic and stickers. Here the artist Lasveguix gives another dimension to Grendizer, a gigantic two-part extraterrestrial war machine, very heavily armed, which appeared in the form of a cartoon at the end of the 1970s.

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This work is born from the meeting of two complementary universes. In the background, Lasveguix creates a vibrant urban fresco: torn posters, fragments of typography, pop culture heroes and torn materials form a raw mosaic, like the walls of a city saturated with collective memory and popular imagination. Among these layers, we can guess the mythical figure of Goldorak , an intergenerational icon, emerging like a heroic totem in the midst of chaos. On the glass that protects the collage, Wawapod intervenes with its characteristic visual language: a grid of colored dots, almost pixelated, which acts as an optical filter and a contemporary reinterpretation. This graphic veil transforms the perception of the work, blurring it and revealing it at the same time, recalling the codes of both digital and screen printing. By combining their gestures, the two artists offer a dual interpretation: Lasveguix's nostalgic and urban memory interacts with Wawapod's rhythmic pop abstraction. The whole becomes a hybrid work, both a tribute to childhood and an aesthetic exploration of the contemporary gaze.

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Here is a very beautiful print on canvas, magnificent and captivating by Dine Chanima , who offers us here a portrait of a woman through her Street Art style. The work is delivered on its wooden frame.

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Here is a very beautiful print on canvas, magnificent and captivating by Dine Chanima , who offers us here a portrait of a woman through her Street Art style. The work is delivered on its wooden frame.

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This is a painting on canvas made using highly pigmented acrylic paint and aerosols. To create its deep surfaces, Parscha Mirghawameddin applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

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This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

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This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

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This is a painting by Parscha Mirghawameddin on canvas made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas made using highly pigmented acrylic paint and aerosols. To create its deep surfaces, Parscha Mirghawameddin applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas by Parscha Mirghawameddin made using highly pigmented acrylic paint and aerosols. To create his deep surfaces, the artist applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less

This is a painting on canvas made using highly pigmented acrylic paint and aerosols. To create its deep surfaces, Parscha Mirghawameddin applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

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This is a painting on canvas called "Graff N°1870" and made using highly pigmented acrylic paint and aerosols. To create its deep surfaces, Parscha Mirghawameddin applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

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This is a painting on canvas made using highly pigmented acrylic paint and aerosols. To create its deep surfaces, Parscha Mirghawameddin applies layers of paint to the canvas with a sponge and alternates soft and hard layers with a squeegee.

Read more less