All artworks

In this striking work, Gunnar Zyl presents a poetic and urban scene where a child, a black stenciled silhouette, holds up a large red umbrella, emblematic of protection and vulnerability. The strong contrast between the bright red of the umbrella and the deconstructed background in gray, beige and black tones, saturated with graffiti and drips, embodies one of the markers of Zyl's style: the fusion of raw street art with tender or universal symbols . The anonymous figure of the child, imbued with gentleness and nostalgia, evokes innocence in the face of a chaotic world. The umbrella, while meant to protect, itself appears splattered and degraded, as if the protection were imperfect—a subtle metaphor for the challenges we all face as we grow up. The deliberately disordered background evokes a street wall where graffiti becomes memory, noise, or despair. Through this piece, Gunnar Zyl continues his reflection on the fragility of innocence in a saturated urban world , but also on resilience , the act of standing up with dignity in an unstable universe. The work, despite the tension of its contrasts, exudes an energy full of sensitivity and inner strength . It is a powerful canvas, as graphic as it is emotional, which fits perfectly into the artist's universe: at the crossroads of the intimate and the collective, of urban chaos and hope.

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Spring Moon is an original and unique work by the artistMargot Laffon , now highly sought after by collectors and lovers of contemporary portraits. Hand-painted in acrylic, this exceptional piece embodies the artist's unique world: powerful, refined, and deeply expressive. The canvas depicts a hypnotic female portrait. The face—of an almost supernatural pallor—is contrasted with intense blue hair , piercing electric blue eyes , and deep red lips . The whole is framed by a stylized textile background , where floral patterns and an Art Nouveau atmosphere evoke a dreamlike, dense, and vibrant world. The garment, adorned with vibrant flowers and oriental details, draws inspiration from traditional textile cultures, offering a touch of ethnic elegance and great visual richness. The red flower in the hair accentuates the balance between sensuality, mystery, and inner strength.

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In this striking work, Giorgio Stocco reinterprets the iconic Arc de Triomphe , placing it at the heart of a reinvented urban scene, on the border between realism and fantasy. Created digitally and then pasted onto canvas , the composition offers a contemporary interpretation of the Parisian monument , transformed here into a vertical playground. The Arc comes to life: dozens of figures—tiny but animated— climb its facades , cling to its sculptures, wander across the upper terrace, or shelter under a floating tricolor umbrella . The work introduces a fascinating play of scale , between architectural monumentality and human abundance. The background, discreet but present, is composed of printed pages , adding a cultural and textual texture that enriches the reading of the piece. With this offbeat scene, Giorgio Stocco questions the relationship between man and history , between the individual and symbols. He mixes humor, visual poetry and a remarkable technical mastery of digital imagery, served by a collage perfectly integrated into the canvas support , halfway between traditional painting and contemporary digital art.

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In this powerful work, Lasveguix pays homage to Jean-Michel Basquiat, an iconic figure in urban art and African-American culture. Basquiat's black and white face, dressed in a sober suit and tie, contrasts with the chaotic explosion of torn paper, layers of torn posters, colors, and graffiti surrounding him. The classic portrait is literally invaded by a living urban material, highlighting the tension between the frozen icon and the raw energy of the street. Lasveguix's approach consists of deconstructing the image in order to better recontextualize it, in a visual language made of superimposed layers, textures, and half-erased typography. We can distinguish fragments of words ("err," "live," "you"), bursts of pink, yellow, and black paint, as well as splashes that recall the spontaneous gesture of street art. The result is a portrait that is both reverential and organic, in which Basquiat's identity emerges through the visual tumult as a persistent, rebellious, and mythical presence.

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In this striking work, Giorgio Stocco composes a dance between image, text, and color. On a double-page spread from an old dictionary (printed and glued to the canvas), the artist paints a ballerina in full motion, smiling, embodying grace and lightness. The typographic background becomes both stage and decor, where each printed word seems to participate in the ballet. The dancer's dress, made up of red and turquoise diamond patterns, evokes a harlequin's costume, a symbol of elegance and playfulness. Around her, a shower of petals in red, turquoise, and black literally explodes onto the page, blending dynamism and poetry. This profusion of color breaks the rigidity of the printed text and evokes a joyful liberation of artistic expression. With this work, Stocco explores the contrast between structure (the dictionary, a tool of definition and framework) and freedom (movement, color, dance), thus giving a second life to a forgotten page by transforming it into a scene of emotion.

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This piece of Lasveguix presents an urban and contemporary reinterpretation of a global icon: Mickey Mouse. Against a bright blue background, the famous Disney character is depicted in a classic style with his red shorts and wide smile, but he is partly covered by a chaotic collage of torn paper, slashed posters, and layers of paint. The juxtaposition of the sharpness of the cartoon with the raw, fragmented look of the collage evokes a tension between nostalgia, popular culture, and the erasure of time. The bursts of vivid color (red, blue, black, yellow) combined with the torn materials bring a dynamism that seems to burst Mickey's image out of its original frame. At the bottom right, the signature "Lasveguix" anchors the work in the world of street art and pop art, faithful to the style of the artist who likes to mix popular references and street aesthetics.

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In Mickey Wall Fragment , Lasveguix revisits the timeless pop culture icon with his explosive urban style. On a reconstructed wall fragment, the artist depicts a joyful Mickey Mouse, surrounded by splashes of vibrant paint and graffiti patterns. The words "LOVE" appear in watermark, infusing a touch of softness into the colorful chaos surrounding the character. Through this vibrant collage, Lasveguix celebrates childhood, love, and the raw energy of street art, while paying homage to the world of cartoons and its universal power. Framed size: 42 x 32 x 3 cm

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This work of EGHNĀ is a canvas painting that fuses the codes of street art with a popular culture icon, here provocatively reworked. It features a stylized and fragmented representation of Mickey Mouse, whose face is covered in graffiti, paint drips, and scribbled texts evoking the urban and rebellious world of graffiti. The color palette is dominated by black, white, gray, and red. The chaotic, saturated background combines mist effects, broad brushstrokes, splashes, and red drips, reminiscent of bloodstains. Inscriptions like "BRONX," "vandal," and illegible graffiti add a protest and underground dimension to the whole. The character's attitude, though humorously hinted at by his wide smile, seems almost menacing or cynical, reinforced by jarring elements like the white X-shaped stitching across his lower face. Hastily scribbled hearts sit alongside more aggressive messages, creating a contrast between the character's supposed innocence and the raw world around him. The work seems to question the place of mass culture in contemporary art, while paying homage to the aesthetic of New York graffiti of the 1980s and 1990s. It evokes a form of desacralization of the Disney myth in favor of a free, raw, almost anarchic expression.

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This work of Bruno Cantais , created in homage to Pierre Soulages , is part of the continuity of outrenoir , a movement initiated by Soulages where light is born from the interaction with dark matter. Here, the artist uses the texture of the paint to structure the surface, creating a subtle interplay between opacity and reflections. The dynamic, energetically drawn streaks evoke an almost organic movement, recalling the imprints of time or the traces of pouring rain frozen in the material. The exclusive use of black, far from being an absence of color, becomes an infinite source of luminous variations and depth. With this tribute, Bruno Cantais does not just quote Soulages, but also appropriates his visual language to offer a work that questions our perception of black and light, between rigor and raw emotion.

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This original work by Popik stages a spectacular interplay between comics and sculpture. A copy of issue number 1 of "Fantastici Quattro" (Fantastic Four in Italian) appears to literally explode under the impact of a massive, embossed fist, which bursts from the paper as if piercing a barrier between fiction and reality. The fist represents The Thing , one of the iconic members of the Fantastic Four, with its characteristic rocky texture. The staging plays on the effect of trompe-l'oeil and dynamic destruction, giving the impression that the superhero is stepping out of the comic book and into our world. This hybrid creation, a cross between pop art and sculpture, pays homage to the world of comics by instilling an impression of movement and raw energy, faithful to the explosive spirit of superhero comics.

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This work of Lasveguix presents an urban and textured aesthetic, inspired by street art and collage. It juxtaposes iconic graphic elements, including a pixel art visual reminiscent of Space Invader creations, with the words "LOST" and "LOVE" . The word "LOVE" is partially tagged in yellow, transforming the message and creating a tension between loss and hope. The various layers of torn posters, graffiti, and colorful textures give the work an organic and spontaneous dimension, evoking the city walls marked by time and successive artistic interventions. Fragments of words and phrases ("luck," "TIME," "for ever for ever") also feature, adding a poetic and introspective character. Lasveguix 's work here seems to question collective memory, the degradation of time and the interaction between art and urban space.

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This steel sculpture, created by the artist Léa Poncharal , is a striking work that combines the strength of metal with the delicacy of golden butterflies. Entitled "AMOR" , it presents this word in imposing and textured letters, enhanced by a rich application of golden oil paint. Around and on the letters, butterflies seem to fly away, symbolizing lightness, ephemerality and transformation. The contrast between the rigidity of the steel and the organic fluidity of the butterflies brings a unique dynamic to this piece, evoking the idea that love, although rooted in matter, remains a living and constantly moving feeling. The whole rests on an elegant base, emphasizing its sculptural and refined character.

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This striking work by the artist Popik is a fusion between comics and sculpture, giving a new dimension to pop art and geek culture. The artist diverts a cover of the comic L'Uomo Ragno (Italian version of Spider-Man ), integrating a fist in relief, emerging from the frame as if he wanted to break the boundary between fiction and reality. Made using laser synthesis technology, which allows for layer-by-layer 3D printing using powder, this sculpture highlights meticulous work on textures and material effects. The integration of torn elements and sculpted details reinforces the visual power of the work, evoking the brute force of the superhero and the impact of pop culture on our collective imagination. A unique and striking piece that plays on the contrasts between the two-dimensional design and the three-dimensionality of the sculpture, making this creation a true collector's item.

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This work of Lasveguix is fully part of the world of street art by paying homage to the iconography of Invader. The two pixel art figures, inspired by the famous video game Space Invaders, emerge in the center of the composition, partially covered by layers of torn paper, graffiti and paint. The accumulation of these layers gives the impression of a living urban wall, witness to the passage of time and the interaction between the artist and the city. Inscriptions such as "INVADER WAS HERE" reinforce this direct reference to the French street artist known for disseminating his mosaics around the world. The pastel color palette, mixing blue, pink and beige, contrasts with the raw aspect of the tears and paint splashes, creating a balance between chaos and harmony. Through this work, Lasveguix captures the essence of an urban art in perpetual mutation, where each trace left by an artist becomes a new layer of history.

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This canvas made entirely by hand by Dr. Hide is a vibrant and expressive portrait inspired by Charlie Chaplin. The artist uses a bright and contrasting colour palette, mixing hues of blue, red, yellow and pink to give a striking energy to the work. The character, depicted with his iconic bowler hat and bow tie, is painted in a pop art and neo-expressionist style, where shadows and lights are accentuated by dynamic color schemes. The fiery abstract background adds intensity to the image, reinforcing the theatrical character of the subject. Every brushstroke is a testament to Dr. Hide's talent and mastery, delivering a bold, modern tribute to one of cinema's most iconic figures.

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This work of Dr. Hide is an artistic composition made from vinyl cut and assembled in the form of a triptych. The central visual, printed on the main disc, represents the iconic Abbey Road pedestrian crossing, with the silhouettes of the Beatles in shadow, superimposed on a background reproducing the British flag. The inscription "LET IT BE" in large capital letters, accompanied by the subtitle "A CELEBRATION OF THE MUSIC OF THE BEATLES", reinforces the homage to the legendary group. The side vinyls, whose labels are visible (marked "A DECAP SOUND"), complete the composition by creating an effect of symmetry and depth. The artist Dr. Hide plays here on the materiality of the vinyl record, both a musical medium and a plastic element, transforming a cult object into a contemporary work of art.

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This original painting by Freda People , made entirely by hand, pays homage to the Rolling Stones with an artistic fusion between the famous Abbey Road pedestrian crossing and the iconic Stones tongue logo. The work is executed in black, white and red , creating a striking visual effect. The band members move forward in a graphic and expressive style, with paint drips that reinforce the raw and urban effect of the whole. The bright red highlights their clothes and the central logo, while the black and white structures the composition, recalling the style of street art and pop art . Every detail is carefully crafted, offering a modern and dynamic interpretation of the rock universe, where energy and rebellion meet on the canvas.

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The table of Stéfanie Raus depicted in the photo is an abstract work characterized by dominant black brushstrokes on a light cream background. The black shapes, dynamic and expressive, have a raw and irregular appearance. With its imposing dimensions (110x160 cm), the work accentuates the visual impact of these bold strokes, evoking abstract expressionism through its pictorial gesture. The work is delivered rolled, without a frame. A frame of 100x150x2 cm is recommended for its mounting. Each creation of the artist is unique, made by hand using various techniques. Cracks, notches, reliefs and paint projections are an integral part of the style and do not constitute defects, but an assumed artistic choice. All works are hand signed and accompanied by a certificate of authenticity.

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“Urban Little Girl” – A daring work by Lasveguix Dive into the powerful world of Lasveguix with "Urban Little Girl" , a work where street art meets the history of pop culture and protest. Between torn posters, bright colors and raw textures, this unique composition captures the vibrant energy of the street. In the center, a little girl in black and white, brush raised, seems to redefine her world through art. Her innocent and rebellious gesture contrasts with the cultural icons that surround her, notably the influence of the OBEY movement and the rock spirit of Nirvana . This visual dialogue between revolt and poetry underlines a powerful message: artistic expression is a weapon, a freedom and a timeless voice. Transform your interior with this committed work, a symbol of raw emotion and creative independence.

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Dive into the unique world of Lasveguix with "The little artist" , a vibrant work mixing urban collage, street art and cinematic nostalgia. Inspired by Charlie Chaplin's vintage poster, this creation reveals a child in black and white, paintbrush in hand, as a tribute to free and creative spirits. Torn textures, bursts of color, and handwritten inscriptions give this piece a striking depth, testifying to the dialogue between past and modernity. The imposing inscription "ART" underlines the central message: artistic expression is a rebellion, a legacy, and a child's play all at once. Add a touch of authenticity and emotion to your interior with this work of character.

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