Recently Uploaded Works

In this work, Lasveguix pays homage to Obey , an emblematic figure of global street art, by revisiting the iconic Marianne through his own aesthetic. On a piece of torn cardboard, with edges burned by time, the artist recreates the illusion of a fragment torn from an urban wall —a witness to a passage, a visual cry, a street memory. Layers of overlapping posters, graffiti marks, and paint chips blend chaos and harmony. The partially revealed face of Liberty emerges from the collage as a timeless symbol, both fragile and indestructible. The handwritten “Made in France” label acts as a clear signature: that of an artist who celebrates the French urban scene while engaging in dialogue with its international influences. Through Fragment of Freedom , Lasveguix questions the notion of trace and heritage. Each tear becomes the mark of a gesture, each piece of cardboard, a piece of wall that tells the story of freedom of expression. Framed size: 42 x 32 x 3 cm

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This work of Lasveguix perfectly embodies the tension between heritage and modernity. Against a minimalist black background stands a vibrant collage blending textures, poster fragments, and bursts of color. In the center, the iconic female face—inspired by the graphic codes of committed street art—symbolizes Freedom , a word partially revealed, as if torn from the wall of time. Around this figure, Lasveguix superimposes layers of torn paper, graffiti and paint in vivid shades, creating a composition that is both raw and poetic. The hand-painted inscription “Made in France” anchors the message: an affirmation of artistic and cultural identity, proudly rooted in the French urban scene. Between homage and diversion, this work celebrates the power of collage as an act of memory and resistance. Each tear becomes a gesture of freedom, each trace a street imprint. Framed size: 42 x 32 x 3 cm

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In this work, Lasveguix explores the technique of collage and torn posters to revisit a well-known graphic icon: the Marianne popularized by Shepard Fairey (Obey) . At the center, the stylized and ornamented face emerges through layers of colorful, typographic and handwritten posters, creating a game of progressive unveiling. The composition gives the impression of a fragment torn from an urban wall , like a section of visual palimpsest where successive layers of display tell a collective story. By mixing the visual universe of Obey — a symbol of resistance and counterculture — with his own visual language, Lasveguix composes a piece that is both raw and poetic. The tears, overlays, and textures echo the materiality of the street, where images crumble and reinvent themselves over time. The work thus questions the tension between icon and contemporary appropriation, between shared memory and personal expression. Framed size: 42 x 32 x 3 cm

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This work of Lasveguix embraces a raw urban aesthetic, somewhere between collage, repurposing, and graffiti. The background is made up of successive layers of torn-off posters, typographic fragments, and advertising images reminiscent of the city's saturated walls, bearers of overlapping visual memories. In the center, a black and white visual takes up the iconography of the famous video game Space Invaders , accompanied by the word "LOST", reinforcing the idea of disappearance or wandering in the urban visual chaos. Above, a graffiti in thick and spontaneous black letters announces "INVADER WAS HERE", a direct nod to the street artist Invader and his practice of marking territory with his mosaics. A blue halo in the background highlights the inscription, as if to give it a particular aura, while the torn colors and textures of the posters contribute to the palimpsest effect. The work questions traces, memory, and ephemerality in public spaces: what is glued, covered, scratched, and then reappropriated. It creates tension between popular culture (video games, street art) and the poetic decomposition of city walls.

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This work is born from the meeting of two complementary universes. In the background, Lasveguix creates a vibrant urban fresco: torn posters, fragments of typography, pop culture heroes and torn materials form a raw mosaic, like the walls of a city saturated with collective memory and popular imagination. Among these layers, we can guess the mythical figure of Goldorak , an intergenerational icon, emerging like a heroic totem in the midst of chaos. On the glass that protects the collage, Wawapod intervenes with its characteristic visual language: a grid of colored dots, almost pixelated, which acts as an optical filter and a contemporary reinterpretation. This graphic veil transforms the perception of the work, blurring it and revealing it at the same time, recalling the codes of both digital and screen printing. By combining their gestures, the two artists offer a dual interpretation: Lasveguix's nostalgic and urban memory interacts with Wawapod's rhythmic pop abstraction. The whole becomes a hybrid work, both a tribute to childhood and an aesthetic exploration of the contemporary gaze.

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Urban Girl is an ode to femininity amidst urban chaos. A young woman's face, with an almost photographic intensity, emerges from a swirl of color, torn posters, and ripped textures. The shreds of paper, in vivid shades of blue, pink, and gold, overlap like layers of the city's memory, creating a tension between fragility and power. The closed gaze and the expression of the figure suggest abandonment, a breath, as if she were offering herself a moment of intimacy in the tumult of the outside world. The background, marked by graffiti and scribbled words—“I love you”—inscribes this feminine presence in the raw energy of the street, somewhere between an intimate declaration and a public cry. With Urban Girl , Lasveguix captures the fleeting beauty hidden within the scoured walls and colorful ruins of our cities. The work thus becomes a portrait that is both poetic and wild, where the city and the intimate merge into a single vibration.

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Made by the French artist Lasveguix , Guga is an explosive and expressive work celebrating Brazilian tennis legend Gustavo Kuerten. Printed in high quality on Dibond , a rigid aluminum support popular for contemporary works, this piece combines digital techniques, pop art aesthetics and visual collage. In the center, Guga's face in blue profile stands out against a vibrant background saturated with visual references to his career: Roland-Garros, Brazil, Florianópolis, Lacoste, and the great moments of joy that marked his career. Each detail tells a facet of the champion, between sporting power and cultural influence. Printed in just 8 copies , each hand-signed by Gustavo Kuerten himself, this rare work has already aroused the enthusiasm of collectors. The work is mounted on a black aluminum frame. It is a screen print of the original, which was sold on June 24th at the CŒUR CENTRAL gala at Roland Garros for €33,000.

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In "Wild Love" , Lasveguix fuses the raw instinct of nature with the urban energy of contemporary street art. This abundant work juxtaposes the majestic, hyperrealistic image of a lion, a symbol of strength and pride, with a chaotic collage of advertisements, graffiti, and torn vintage posters, witnesses to a collective urban memory. The word "YES," painted in bright pink in the center of the canvas, contrasts with the feline's wildness and evokes a surge of acceptance, hope, or raw passion. We also glimpse an illustrated woman, in pop art style, who seems to be looking intensely at the viewer—a nostalgic yet powerful reminder of the female figure in the popular imagination. Here, Lasveguix explores the duality between love and instinct , the civilized and the wild, past and present. The splattered layers of paint, the superimposed typography, and the torn elements give the work an almost musical rhythm, somewhere between tension and harmony. "Amour Sauvage" is a visual statement where tenderness meets power, and where street art becomes the language of primal emotions, expressed with striking intensity.

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In Mickey Wall Fragment , Lasveguix revisits the timeless pop culture icon with his explosive urban style. On a reconstructed wall fragment, the artist depicts a joyful Mickey Mouse, surrounded by splashes of vibrant paint and graffiti patterns. The words "LOVE" appear in watermark, infusing a touch of softness into the colorful chaos surrounding the character. Through this vibrant collage, Lasveguix celebrates childhood, love, and the raw energy of street art, while paying homage to the world of cartoons and its universal power. Framed size: 42 x 32 x 3 cm

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This work of Léa Poncharal , delivered in a white American box , plays on transparency, light and the contrast between the softness and strength of the symbols she depicts. The piece represents a Bearbrick , an iconic silhouette of contemporary design, cut from plexiglass. Butterflies with finely chiseled wings adorn its surface, creating an impression of lightness and movement. The shine of the material and the play of reflections accentuate the feeling of weightlessness, while the textured white background reinforces the depth and visual impact of the work. Between pop art and minimalism , this creation explores the duality between the childlike world and the elegance of nature, merging the aesthetics of the toy and the poetry of the living.

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Add a unique and meaningful piece of urban art to your collection with this exceptional signed work Lasveguix , inspired by the striking graphic style of Obey . Entitled "Make Art Not War White" , this white version symbolizes the purity of artistic creation in the face of the chaos of the contemporary world, while maintaining a committed message in favor of peace and freedom of expression. The piece is distinguished by its torn posters and layered textures , accompanied by paint splatters in bright tones that recall the raw energy of street art. At the center is Marianne , an emblematic figure of the French Republic, here surrounded by blue flowers symbolizing hope and rebirth. Her determined gaze embodies resistance and the power of art to bring about change. The originality of the work also lies in its hand-painted frame , which is an integral part of the composition. Each chip of paint, each inscription, and each layer of collage brings a lively and textured dimension , transforming the work into a true artistic statement. This artwork invites reflection while bringing a chic and contemporary urban aesthetic to your interior. The white, blue and multi-colored bursts blend perfectly with any type of decoration, adding a bold and sophisticated touch to your living or working spaces.

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Discover this unique work of Lasveguix , a vibrant tribute to the graphic universe of Obey, emblematic of the street art movement. Entitled "Make Art Not War Pink" , this pink version brings a feminine and committed touch, while retaining the power of the militant message that made Obey famous. The piece is distinguished by its torn and superimposed posters, mixed with bright splashes of paint that accentuate the raw and spontaneous effect of the urban collage. The iconic face of Marianne, a timeless symbol of freedom and revolution, occupies the center of the composition, surrounded by a hand-painted frame, an integral part of the work. This original frame reinforces the artistic character of the piece and sublimates the chaotic and textured details of the collage. Each element of the work tells a story: tears, layers of paint, and inscriptions add a captivating visual depth, making each look different. The palette of pinks, whites, and multi-colored bursts evokes a mix of softness and intensity, bringing a unique energy to your space. This piece is much more than just a wall piece: it is a true artistic manifesto , carrying a timeless message in favor of creation and peace. Perfect for collectors, street art lovers, or those who want to breathe a rebellious and chic touch into their interior.

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Lasveguix created a remarkable work using salvaged posters. The torn posters add a dimension of relief and texture to the whole. In this creation, Lasveguix offers us a reinterpretation of the famous Marilyn diptych, a screen print produced by the American artist Andy Warhol in 1962. By transforming ordinary materials into a work of art, Lasveguix gives new life to these posters while making homage to Warhol's iconic work.

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Magnificent work created by Lasveguix using recovery poster. The torn posters give relief and substance to the work. Lasveguix offers us here a reinterpretation of the Marilyn diptych, a screen print by the American artist Andy Warhol, produced in 1962

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Combining several techniques: acrylic on canvas, on paper, lithography and collages, this work is an assembly of Marvel and DC Comics superheroes from different eras and different representations (films, comics, sketches, etc.). In this work, Elmago notably includes Thor, Superman, Hulk, Spiderman, Batman and many other heroes to discover.

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Magnificent work by Jonathan Antony priest to be hung. The artist offers us here a very beautiful geometric abstraction type composition using very current colors and extremely clear lines. This work is delivered framed in a solid wooden box.

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Magnificent work by Jonathan Antony priest to be hung. The artist offers us here a very beautiful geometric abstraction type composition using captivating colors and extremely clear lines. This work is delivered framed in a solid wooden box.

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Harissart is the fruit of the passion of two long-time friends. Their creations are largely inspired by their memories of adolescence and more generally the 90s. More than 30 years ago, Nintendo launched its first consumer portable console: the Game Boy! This console sold nearly 119 million copies worldwide between 1990 and 2003. The Game Boy is the incarnation par excellence of Proust's madeleine for teenagers of the 90s. Iconic, it marks the beginning of the era of video games in homes around the world. Harissart wants to immerse you again in your adolescence by offering you these two plastic cases of the Nintendo Game Boy, positioned on an Aludibond frame. Both consoles are painted and varnished in a body paint booth. This work is a limited edition of 50 copies, numbered, signed and delivered with its certificate of authenticity.

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Very original work by the Italian artist Malaspina composed of more than 1500 bamboo pins selected and placed side by side to give shape to the sculpture. The frame is made of mahogany, the work was made entirely by hand and it is signed on the back.

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