Recently Uploaded Works

With Starboy , Mitch Richmond creates a sculptural tribute to the futuristic imagination and robotic aesthetic popularized by music and pop culture. Inspired by Daft Punk's iconic helmet, the artist offers a sleek version, frozen in a mirrored gold alloy that captures the surrounding space as much as it distorts it. The helmet's perfectly smooth, reflective surface evokes a presence that is both human and dehumanized—an androgynous, faceless figure suspended between machine and emotion. By using gold, Richmond imbues the object with a sacred, almost mythological dimension: the robot becomes an idol. Starboy embodies this tension between individuality and anonymity, between technology and identity. It's a portrait of the 21st century, where the ego fades behind shiny interfaces, where the artist fades behind the avatar.

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In this work, Mitch Richmond repurposes the iconic Stormtrooper helmet from the Star Wars universe to create a resolutely contemporary sculpture, as brilliant as it is introspective. Entirely covered in mirror chrome, the object becomes a reflective surface—both literally and figuratively. The mirror effect questions the individual's place in the systems they blindly serve, like the anonymous imperial soldiers. The work oscillates between pop culture and societal critique. By freezing this symbol of conformity and obedience in gleaming metal, Richmond transforms it into a luxurious and paradoxical totem. The viewer sees their own reflection, trapped in a helmet that seems to say, "Who are you behind the mask?" This piece questions identity, standardization, and the power of symbols in our collective imagination. Through this frozen armor, Mitch Richmond invites us to reflect on our own role in the narratives we consume and perpetuate.

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With Saber Lux , Mitch Richmond delivers a personal and poetic interpretation of Luke Skywalker's lightsaber. This patinated metal work doesn't seek to reproduce the object identically, but to capture its essence: that of a passage, a legacy, an object steeped in history as much as symbolism. The patinated bronze treatment, with its dark and deep accents, gives this sculpture the appearance of a sacred, almost mystical object. The lines are clean yet powerful, alternating between soft curves and industrial rigor. Each detail—the hexagonal wheel, the regular grooves, the sculpted finish—evokes the link between ancient and future, between craftsmanship and technology, between myth and material. By revisiting Luke's lightsaber, Richmond goes beyond a simple reference to Star Wars : he questions what it means to inherit, transmit, and transform a collective symbol into a unique, dense, and silent work.

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Mitch Richmond presents a striking sculpture that blends nostalgia and symbolic power. Inspired by science fiction iconography, this metal work immediately evokes the famous lightsaber from the Star Wars saga, revisited here as a timeless relic. The patinated bronze finish reinforces the effect of an ancient, almost archaeological object, as if this piece had survived the ages. The surface treatment, both raw and masterful, gives the object a visual and tactile density, encouraging the viewer to contemplate the artifact no longer as a futuristic weapon, but as a sculpture in its own right. With this gesture, Richmond transforms a symbol of popular culture into a contemporary work of art, playing with the notions of memory, heritage and the transformation of iconic objects.

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In this striking work, Gunnar Zyl presents a poetic and urban scene where a child, a black stenciled silhouette, holds up a large red umbrella, emblematic of protection and vulnerability. The strong contrast between the bright red of the umbrella and the deconstructed background in gray, beige and black tones, saturated with graffiti and drips, embodies one of the markers of Zyl's style: the fusion of raw street art with tender or universal symbols . The anonymous figure of the child, imbued with gentleness and nostalgia, evokes innocence in the face of a chaotic world. The umbrella, while meant to protect, itself appears splattered and degraded, as if the protection were imperfect—a subtle metaphor for the challenges we all face as we grow up. The deliberately disordered background evokes a street wall where graffiti becomes memory, noise, or despair. Through this piece, Gunnar Zyl continues his reflection on the fragility of innocence in a saturated urban world , but also on resilience , the act of standing up with dignity in an unstable universe. The work, despite the tension of its contrasts, exudes an energy full of sensitivity and inner strength . It is a powerful canvas, as graphic as it is emotional, which fits perfectly into the artist's universe: at the crossroads of the intimate and the collective, of urban chaos and hope.

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In this astonishing sculpture, Filippo Pietro Castrovinci reinterprets Spider-Man through a resolutely contemporary approach, using Corten steel as a medium of expression. Created by superimposing cut metal layers , the work forms a stylized silhouette of the head of the famous superhero, immediately recognizable by its dynamic and taut structure. The choice of Corten steel—a raw material that develops a patina over time—reinforces the idea of a hero anchored in reality , shaped by the layers of his history, his struggles, and his human duality. The sliced construction evokes a three-dimensional scan or a digital model stopped in its tracks, frozen in a post-industrial aesthetic . The piece dialogues between strength and fragility , matter and emptiness , mask and identity , offering a reading on several levels: Spider-Man becomes a symbol of resilience , but also of fragmentation - as if his figure itself were deconstructed by the weight of the modern world.

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With Banksy Bomb , Van Apple offers a sculpture as ironic as it is striking, merging the animal world with the military universe. Made of chrome resin , the turtle has a smooth and shiny body, contrasting with a shell transformed into a black tactical helmet , which becomes the heart of the artistic statement. On each side of the helmet, the artist has incorporated a reproduction of an iconic Banksy work, reinforcing the dialogue between street art, social satire and contemporary sculpture . These motifs, both critical and recognizable, inject a dose of rebellion and humor into the piece. The juxtaposition between the peaceful slowness of the turtle and the armed, technological and committed universe evoked by the helmet and Banksy's visuals, offers a reading on several levels: between resistance and absurdity , fragility and armor , long time and social urgency .

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In this striking work, Giorgio Stocco reinterprets the iconic Arc de Triomphe , placing it at the heart of a reinvented urban scene, on the border between realism and fantasy. Created digitally and then pasted onto canvas , the composition offers a contemporary interpretation of the Parisian monument , transformed here into a vertical playground. The Arc comes to life: dozens of figures—tiny but animated— climb its facades , cling to its sculptures, wander across the upper terrace, or shelter under a floating tricolor umbrella . The work introduces a fascinating play of scale , between architectural monumentality and human abundance. The background, discreet but present, is composed of printed pages , adding a cultural and textual texture that enriches the reading of the piece. With this offbeat scene, Giorgio Stocco questions the relationship between man and history , between the individual and symbols. He mixes humor, visual poetry and a remarkable technical mastery of digital imagery, served by a collage perfectly integrated into the canvas support , halfway between traditional painting and contemporary digital art.

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In this striking work, Giorgio Stocco composes a dance between image, text, and color. On a double-page spread from an old dictionary (printed and glued to the canvas), the artist paints a ballerina in full motion, smiling, embodying grace and lightness. The typographic background becomes both stage and decor, where each printed word seems to participate in the ballet. The dancer's dress, made up of red and turquoise diamond patterns, evokes a harlequin's costume, a symbol of elegance and playfulness. Around her, a shower of petals in red, turquoise, and black literally explodes onto the page, blending dynamism and poetry. This profusion of color breaks the rigidity of the printed text and evokes a joyful liberation of artistic expression. With this work, Stocco explores the contrast between structure (the dictionary, a tool of definition and framework) and freedom (movement, color, dance), thus giving a second life to a forgotten page by transforming it into a scene of emotion.

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In Mickey Wall Fragment , Lasveguix revisits the timeless pop culture icon with his explosive urban style. On a reconstructed wall fragment, the artist depicts a joyful Mickey Mouse, surrounded by splashes of vibrant paint and graffiti patterns. The words "LOVE" appear in watermark, infusing a touch of softness into the colorful chaos surrounding the character. Through this vibrant collage, Lasveguix celebrates childhood, love, and the raw energy of street art, while paying homage to the world of cartoons and its universal power. Framed size: 42 x 32 x 3 cm

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This work of EGHNĀ is a canvas painting that fuses the codes of street art with a popular culture icon, here provocatively reworked. It features a stylized and fragmented representation of Mickey Mouse, whose face is covered in graffiti, paint drips, and scribbled texts evoking the urban and rebellious world of graffiti. The color palette is dominated by black, white, gray, and red. The chaotic, saturated background combines mist effects, broad brushstrokes, splashes, and red drips, reminiscent of bloodstains. Inscriptions like "BRONX," "vandal," and illegible graffiti add a protest and underground dimension to the whole. The character's attitude, though humorously hinted at by his wide smile, seems almost menacing or cynical, reinforced by jarring elements like the white X-shaped stitching across his lower face. Hastily scribbled hearts sit alongside more aggressive messages, creating a contrast between the character's supposed innocence and the raw world around him. The work seems to question the place of mass culture in contemporary art, while paying homage to the aesthetic of New York graffiti of the 1980s and 1990s. It evokes a form of desacralization of the Disney myth in favor of a free, raw, almost anarchic expression.

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In The Flowers Gun , Van Apple repurposes a universal symbol of violence—the revolver—to create a resolutely peaceful and poetic work. The sculpture, chrome-plated or gilded depending on the version, represents a firearm whose barrel releases a vibrant bouquet of flowers, in colored resin or metal, symbolizing beauty, life, and hope. True to his contemporary pop art style, Van Apple blends visual provocation with a committed message: here, the artist invites us to disarm the world through culture, love, and nature. The Flowers Gun is not just an aesthetic object; it is a manifesto against violence, a celebration of peace, and a call to wonder in a world too often dominated by brutality. With this strong and bold work, Van Apple continues his work on contrasts and the diversion of objects, offering a piece that leaves no one indifferent.

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This emblematic work of Karl Lagasse revisits the US one-dollar bill through a bold interpretation that blends street art, pop art, and contemporary abstraction . Created on a wavy relief structure , the piece combines strong visual elements—such as the pyramid and the eagle—with vivid paint drips and layered textures , the artist's signature aesthetic. Each copy is numbered and signed by the artist , and bears witness to his work on the notion of value , both monetary and artistic. A striking piece that questions our relationship to money, to icons and to art.

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This original work by Popik stages a spectacular interplay between comics and sculpture. A copy of issue number 1 of "Fantastici Quattro" (Fantastic Four in Italian) appears to literally explode under the impact of a massive, embossed fist, which bursts from the paper as if piercing a barrier between fiction and reality. The fist represents The Thing , one of the iconic members of the Fantastic Four, with its characteristic rocky texture. The staging plays on the effect of trompe-l'oeil and dynamic destruction, giving the impression that the superhero is stepping out of the comic book and into our world. This hybrid creation, a cross between pop art and sculpture, pays homage to the world of comics by instilling an impression of movement and raw energy, faithful to the explosive spirit of superhero comics.

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This steel sculpture, created by the artist Léa Poncharal , is a striking work that combines the strength of metal with the delicacy of golden butterflies. Entitled "AMOR" , it presents this word in imposing and textured letters, enhanced by a rich application of golden oil paint. Around and on the letters, butterflies seem to fly away, symbolizing lightness, ephemerality and transformation. The contrast between the rigidity of the steel and the organic fluidity of the butterflies brings a unique dynamic to this piece, evoking the idea that love, although rooted in matter, remains a living and constantly moving feeling. The whole rests on an elegant base, emphasizing its sculptural and refined character.

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This striking work by the artist Popik is a fusion between comics and sculpture, giving a new dimension to pop art and geek culture. The artist diverts a cover of the comic L'Uomo Ragno (Italian version of Spider-Man ), integrating a fist in relief, emerging from the frame as if he wanted to break the boundary between fiction and reality. Made using laser synthesis technology, which allows for layer-by-layer 3D printing using powder, this sculpture highlights meticulous work on textures and material effects. The integration of torn elements and sculpted details reinforces the visual power of the work, evoking the brute force of the superhero and the impact of pop culture on our collective imagination. A unique and striking piece that plays on the contrasts between the two-dimensional design and the three-dimensionality of the sculpture, making this creation a true collector's item.

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Karl Lagasse revisits the iconic American one-dollar bill in a striking artwork that fuses economic symbolism with contemporary artistic expression. Playing with the contrasts between monetary rigor and the energy of street art, the artist applies vibrant touches of red, blue, and black to the bill's surface, creating a dynamic, almost three-dimensional effect. The work, curved as if floating in space, illustrates the flexibility and fragility of the perceived value of money. George Washington, the central figure, seems to emerge from this chromatic mixture, recalling the permanence and transformation of money through the prism of art. Signed and numbered, this limited edition of 33 embodies Lagasse's vision of economy, abstraction and luxury, making each piece an exclusive collector's item.

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This canvas made entirely by hand by Dr. Hide is a vibrant and expressive portrait inspired by Charlie Chaplin. The artist uses a bright and contrasting colour palette, mixing hues of blue, red, yellow and pink to give a striking energy to the work. The character, depicted with his iconic bowler hat and bow tie, is painted in a pop art and neo-expressionist style, where shadows and lights are accentuated by dynamic color schemes. The fiery abstract background adds intensity to the image, reinforcing the theatrical character of the subject. Every brushstroke is a testament to Dr. Hide's talent and mastery, delivering a bold, modern tribute to one of cinema's most iconic figures.

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This work of Dr. Hide is an artistic composition made from vinyl cut and assembled in the form of a triptych. The central visual, printed on the main disc, represents the iconic Abbey Road pedestrian crossing, with the silhouettes of the Beatles in shadow, superimposed on a background reproducing the British flag. The inscription "LET IT BE" in large capital letters, accompanied by the subtitle "A CELEBRATION OF THE MUSIC OF THE BEATLES", reinforces the homage to the legendary group. The side vinyls, whose labels are visible (marked "A DECAP SOUND"), complete the composition by creating an effect of symmetry and depth. The artist Dr. Hide plays here on the materiality of the vinyl record, both a musical medium and a plastic element, transforming a cult object into a contemporary work of art.

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This original painting by Freda People , made entirely by hand, pays homage to the Rolling Stones with an artistic fusion between the famous Abbey Road pedestrian crossing and the iconic Stones tongue logo. The work is executed in black, white and red , creating a striking visual effect. The band members move forward in a graphic and expressive style, with paint drips that reinforce the raw and urban effect of the whole. The bright red highlights their clothes and the central logo, while the black and white structures the composition, recalling the style of street art and pop art . Every detail is carefully crafted, offering a modern and dynamic interpretation of the rock universe, where energy and rebellion meet on the canvas.

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The table of Stéfanie Raus depicted in the photo is an abstract work characterized by dominant black brushstrokes on a light cream background. The black shapes, dynamic and expressive, have a raw and irregular appearance. With its imposing dimensions (110x160 cm), the work accentuates the visual impact of these bold strokes, evoking abstract expressionism through its pictorial gesture. The work is delivered rolled, without a frame. A frame of 100x150x2 cm is recommended for its mounting. Each creation of the artist is unique, made by hand using various techniques. Cracks, notches, reliefs and paint projections are an integral part of the style and do not constitute defects, but an assumed artistic choice. All works are hand signed and accompanied by a certificate of authenticity.

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Dive into a vibrant universe with "Call Me Baby Nº10" , a bold work by the contemporary artist Mikko . This painting fuses pop art and abstract expressionism, highlighting a captivating female face that seems to emerge from a rain of vibrant colors. Mikko plays with a vivid palette of yellow, red, pink, blue and green, creating a harmony of spots and splashes that bring life and movement to the work. Bold black lines define the contours of the face and hair, adding depth and intensity to this artistic swirl. Every detail seems to tell a unique story, making this piece perfect for energizing a modern, statement space. Transform your interior with this artistic explosion that embodies Mikko's boundless creativity. A must-have for lovers of modern art and vibrant colors.

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Discover a bold reinterpretation of the famous Mona Lisa in a unique street art style by the artist Quinoa+ (Quinoa Ribes) . Set against a golden background, this painting fuses the timeless elegance of the Renaissance icon with the raw energy of urban graffiti. The symbolic white halo brings a touch of celestial irony, while the colorful lettering and tags, including the words "SEND YOUR CHILD TO ART SCHOOL" and "QUEEN," inject a vibrant and committed modernity. Every detail, from dynamic drips to multi-colored bombs, reveals the duality between tradition and artistic rebellion, making this piece a must-have for lovers of contemporary art and urban culture. Add this iconic work to your collection and give your space a touch of boldness, history and urban creativity.

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This work, created by the artist HÖK , is an explosion of colors, symbols and cultural references that fits into the urban pop art style. The work features a character inspired by the iconography of the Joker, famous for his exaggerated smile and vibrant colors. This character is often used to represent concepts such as duality, madness or social criticism. Elements of pop culture can be seen, including the iconic Coca-Cola logo, which symbolises consumer society and globalisation. Words and phrases like "Love is a game," "Power to the People," and "Love" add a textual dimension, prompting the viewer to reflect on love, power, and ideals. The palette is dominated by bright, saturated colors: red, blue, green, yellow, and pink, typical of pop art. Techniques include paint splashes, graffiti, and overlays, creating an energetic and chaotic effect. Black lines reinforce the contours of the character and give visual structure to the work. The style evokes a fusion between Warhol's pop art and modern street art influences. The use of brands like Coca-Cola and popular cultural figures highlights a critique or reflection on the omnipresence of media and capitalism in our daily lives. In short, this work by Hök is a provocative homage to contemporary culture, combining urban art and pop symbolism. It challenges societal themes while captivating with its visual energy.

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