Selection of Pop Art and Street Art works

Cupid Valentine On Frame is an explosion of color and energy where classic iconography meets the fire of urban art. In the center, the figure of a Cupid, a timeless symbol of love, is represented in an almost photographic style, but crossed by drips, projections and colored superpositions which propel it into a contemporary and vibrant dimension. Created using mixed media— acrylic paint, spray paint, markers, pencil, and stencils —the work juxtaposes precision and spontaneity. The incandescent background, dominated by reds and oranges, radiates like a passionate aura, while splashes of pink, green, and blue fragment the image, creating a contrast between angelic sweetness and expressive power. The white frame sketched around the character acts as a symbolic opening: Cupid seems to emerge from it to project himself towards the viewer, reminding us that love, in all its intensity, transgresses limits and invades space. With Cupid Valentine On Frame , Mikko revisits the myth of Cupid to make it an urban icon, both tender and explosive, where love unfolds in the luminous chaos of modern cities.

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With Starboy , Mitch Richmond creates a sculptural tribute to the futuristic imagination and robotic aesthetic popularized by music and pop culture. Inspired by Daft Punk's iconic helmet, the artist offers a sleek version, frozen in a mirrored gold alloy that captures the surrounding space as much as it distorts it. The helmet's perfectly smooth, reflective surface evokes a presence that is both human and dehumanized—an androgynous, faceless figure suspended between machine and emotion. By using gold, Richmond imbues the object with a sacred, almost mythological dimension: the robot becomes an idol. Starboy embodies this tension between individuality and anonymity, between technology and identity. It's a portrait of the 21st century, where the ego fades behind shiny interfaces, where the artist fades behind the avatar.

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In this work, Mitch Richmond repurposes the iconic Stormtrooper helmet from the Star Wars universe to create a resolutely contemporary sculpture, as brilliant as it is introspective. Entirely covered in mirror chrome, the object becomes a reflective surface—both literally and figuratively. The mirror effect questions the individual's place in the systems they blindly serve, like the anonymous imperial soldiers. The work oscillates between pop culture and societal critique. By freezing this symbol of conformity and obedience in gleaming metal, Richmond transforms it into a luxurious and paradoxical totem. The viewer sees their own reflection, trapped in a helmet that seems to say, "Who are you behind the mask?" This piece questions identity, standardization, and the power of symbols in our collective imagination. Through this frozen armor, Mitch Richmond invites us to reflect on our own role in the narratives we consume and perpetuate.

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With Saber Lux , Mitch Richmond delivers a personal and poetic interpretation of Luke Skywalker's lightsaber. This patinated metal work doesn't seek to reproduce the object identically, but to capture its essence: that of a passage, a legacy, an object steeped in history as much as symbolism. The patinated bronze treatment, with its dark and deep accents, gives this sculpture the appearance of a sacred, almost mystical object. The lines are clean yet powerful, alternating between soft curves and industrial rigor. Each detail—the hexagonal wheel, the regular grooves, the sculpted finish—evokes the link between ancient and future, between craftsmanship and technology, between myth and material. By revisiting Luke's lightsaber, Richmond goes beyond a simple reference to Star Wars : he questions what it means to inherit, transmit, and transform a collective symbol into a unique, dense, and silent work.

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Mitch Richmond presents a striking sculpture that blends nostalgia and symbolic power. Inspired by science fiction iconography, this metal work immediately evokes the famous lightsaber from the Star Wars saga, revisited here as a timeless relic. The patinated bronze finish reinforces the effect of an ancient, almost archaeological object, as if this piece had survived the ages. The surface treatment, both raw and masterful, gives the object a visual and tactile density, encouraging the viewer to contemplate the artifact no longer as a futuristic weapon, but as a sculpture in its own right. With this gesture, Richmond transforms a symbol of popular culture into a contemporary work of art, playing with the notions of memory, heritage and the transformation of iconic objects.

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In this striking work, Gunnar Zyl presents a poetic and urban scene where a child, a black stenciled silhouette, holds up a large red umbrella, emblematic of protection and vulnerability. The strong contrast between the bright red of the umbrella and the deconstructed background in gray, beige and black tones, saturated with graffiti and drips, embodies one of the markers of Zyl's style: the fusion of raw street art with tender or universal symbols . The anonymous figure of the child, imbued with gentleness and nostalgia, evokes innocence in the face of a chaotic world. The umbrella, while meant to protect, itself appears splattered and degraded, as if the protection were imperfect—a subtle metaphor for the challenges we all face as we grow up. The deliberately disordered background evokes a street wall where graffiti becomes memory, noise, or despair. Through this piece, Gunnar Zyl continues his reflection on the fragility of innocence in a saturated urban world , but also on resilience , the act of standing up with dignity in an unstable universe. The work, despite the tension of its contrasts, exudes an energy full of sensitivity and inner strength . It is a powerful canvas, as graphic as it is emotional, which fits perfectly into the artist's universe: at the crossroads of the intimate and the collective, of urban chaos and hope.

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With Banksy Bomb , Van Apple offers a sculpture as ironic as it is striking, merging the animal world with the military universe. Made of chrome resin , the turtle has a smooth and shiny body, contrasting with a shell transformed into a black tactical helmet , which becomes the heart of the artistic statement. On each side of the helmet, the artist has incorporated a reproduction of an iconic Banksy work, reinforcing the dialogue between street art, social satire and contemporary sculpture . These motifs, both critical and recognizable, inject a dose of rebellion and humor into the piece. The juxtaposition between the peaceful slowness of the turtle and the armed, technological and committed universe evoked by the helmet and Banksy's visuals, offers a reading on several levels: between resistance and absurdity , fragility and armor , long time and social urgency .

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In The Flowers Gun , Van Apple repurposes a universal symbol of violence—the revolver—to create a resolutely peaceful and poetic work. The sculpture, chrome-plated or gilded depending on the version, represents a firearm whose barrel releases a vibrant bouquet of flowers, in colored resin or metal, symbolizing beauty, life, and hope. True to his contemporary pop art style, Van Apple blends visual provocation with a committed message: here, the artist invites us to disarm the world through culture, love, and nature. The Flowers Gun is not just an aesthetic object; it is a manifesto against violence, a celebration of peace, and a call to wonder in a world too often dominated by brutality. With this strong and bold work, Van Apple continues his work on contrasts and the diversion of objects, offering a piece that leaves no one indifferent.

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This emblematic work of Karl Lagasse revisits the US one-dollar bill through a bold interpretation that blends street art, pop art, and contemporary abstraction . Created on a wavy relief structure , the piece combines strong visual elements—such as the pyramid and the eagle—with vivid paint drips and layered textures , the artist's signature aesthetic. Each copy is numbered and signed by the artist , and bears witness to his work on the notion of value , both monetary and artistic. A striking piece that questions our relationship to money, to icons and to art.

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Karl Lagasse revisits the iconic American one-dollar bill in a striking artwork that fuses economic symbolism with contemporary artistic expression. Playing with the contrasts between monetary rigor and the energy of street art, the artist applies vibrant touches of red, blue, and black to the bill's surface, creating a dynamic, almost three-dimensional effect. The work, curved as if floating in space, illustrates the flexibility and fragility of the perceived value of money. George Washington, the central figure, seems to emerge from this chromatic mixture, recalling the permanence and transformation of money through the prism of art. Signed and numbered, this limited edition of 33 embodies Lagasse's vision of economy, abstraction and luxury, making each piece an exclusive collector's item.

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Dive into a vibrant universe with "Call Me Baby Nº10" , a bold work by the contemporary artist Mikko . This painting fuses pop art and abstract expressionism, highlighting a captivating female face that seems to emerge from a rain of vibrant colors. Mikko plays with a vivid palette of yellow, red, pink, blue and green, creating a harmony of spots and splashes that bring life and movement to the work. Bold black lines define the contours of the face and hair, adding depth and intensity to this artistic swirl. Every detail seems to tell a unique story, making this piece perfect for energizing a modern, statement space. Transform your interior with this artistic explosion that embodies Mikko's boundless creativity. A must-have for lovers of modern art and vibrant colors.

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Discover a bold reinterpretation of the famous Mona Lisa in a unique street art style by the artist Quinoa+ (Quinoa Ribes) . Set against a golden background, this painting fuses the timeless elegance of the Renaissance icon with the raw energy of urban graffiti. The symbolic white halo brings a touch of celestial irony, while the colorful lettering and tags, including the words "SEND YOUR CHILD TO ART SCHOOL" and "QUEEN," inject a vibrant and committed modernity. Every detail, from dynamic drips to multi-colored bombs, reveals the duality between tradition and artistic rebellion, making this piece a must-have for lovers of contemporary art and urban culture. Add this iconic work to your collection and give your space a touch of boldness, history and urban creativity.

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This work, created by the artist HÖK , is an explosion of colors, symbols and cultural references that fits into the urban pop art style. The work features a character inspired by the iconography of the Joker, famous for his exaggerated smile and vibrant colors. This character is often used to represent concepts such as duality, madness or social criticism. Elements of pop culture can be seen, including the iconic Coca-Cola logo, which symbolises consumer society and globalisation. Words and phrases like "Love is a game," "Power to the People," and "Love" add a textual dimension, prompting the viewer to reflect on love, power, and ideals. The palette is dominated by bright, saturated colors: red, blue, green, yellow, and pink, typical of pop art. Techniques include paint splashes, graffiti, and overlays, creating an energetic and chaotic effect. Black lines reinforce the contours of the character and give visual structure to the work. The style evokes a fusion between Warhol's pop art and modern street art influences. The use of brands like Coca-Cola and popular cultural figures highlights a critique or reflection on the omnipresence of media and capitalism in our daily lives. In short, this work by Hök is a provocative homage to contemporary culture, combining urban art and pop symbolism. It challenges societal themes while captivating with its visual energy.

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This work by the artist Quinoa+ (Quinoa Ribes), made in a street art style, is inspired by a classic painting while revisiting it in a modern and bold way. It represents a draped female figure reminiscent of Vermeer's paintings (The Milkmaid), particularly in her contemplative posture and the light that seems to fall on her face. The background is a soothing blue that contrasts with the vibrant superimposed elements. The figure is surrounded by colorful graffiti, tags, and abstract elements that partially cover the scene, infusing energy and movement. There are words such as "FUN" and various patterns in yellow, pink, blue, and green that recall urban art. These additions illustrate a collision between classical art and contemporary urban culture, symbolizing both modernity and the legacy of the past. A humorous inscription "Send Your Child to Art School" also appears, adding a note of satire.

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Mikko 's "Campbells Spray Fuck The Police" is a powerful piece that evokes the spirit of protest and provocation. In a style very similar to that of Banksy, Mikko juxtaposes innocence and rebellion by featuring a police officer, a child and a Campbell's soup can, a pop culture icon. The police officer, a symbol of authority, stands next to a child whose carefree attitude contrasts with the act of defiance represented by the name of the work "Fuck The Police". The colorful background, a whirlwind of bright and chaotic colors, is a visual explosion of mixed media. Using acrylic paint, masks, markers, spray paint, pencils and giclée, Mikko creates a rich and dynamic texture that adds depth to the scene, while reinforcing the intensity of the message. The irony of the famous Campbell's soup can, symbol of mass culture and consumer society, underlines the implicit critique of institutions. This work, both provocative and aesthetically striking, is part of a tradition of committed art, where each visual element contributes to the narration of a message of social resistance.

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Mikko ’s “Lion Face On Graffiti Background” is a powerful and captivating work that combines various techniques and materials to create a vibrant portrait of a lion. The lion’s face, drawn with bold black strokes, stands majestically at the center of the work, symbolizing both strength and nobility. The vibrant and colorful background is an explosion of colors created using acrylic, spray, and squirt paint, capturing the raw energy of graffiti. Masks, felt-tip pens and pencils enrich the composition, providing dynamic details that contrast with the lion's imposing silhouette. This juxtaposition between the realism of the face and the colorful abstraction of the background creates a striking visual tension, where softness and power meet. Mikko's work, both urban and wild, embodies the spirit of the street while paying homage to the majesty of the king of animals. A unique piece that is part of the world of contemporary street art, combining technique and spontaneity.

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Sonic & Mario Best Friends is a unique pop art work by the artist HÖK , which captures the vibrant and energetic essence of two video game icons: Sonic and Mario. Painted on a 100 cm by 100 cm square canvas, this work mixes acrylic and spray paint techniques to create a striking visual effect. The background of the canvas is an explosion of vibrant colors, where geometric patterns and dynamic splashes evoke the energy of the 80s, an iconic period for video games. Sonic, the blue hedgehog, is depicted in a dynamic pose, ready to run at full speed. Mario, with his famous smile and red cap, is placed in front of Sonic, creating a striking contrast between the two iconic characters. The artwork's bright, saturated colors are reminiscent of retro Sega and Nintendo console screens, with shades of electric blue, bright red, and touches of yellow and neon green. The characters' outlines are accentuated by the use of spray paint, giving a blurry, moving effect that accentuates the sense of speed and action. This unique work, at the crossroads of the worlds of Sega and Nintendo, pays tribute to the cultural impact of these two legendary figures while being part of the pop art tradition with a contemporary touch.

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