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Abstract Stile Nº80 , is a magnificent work created by Oscar Bruno , inspired by the decoration of modern spaces to give a touch of light, class and elegance to your environment. This work is made entirely by hand with a natural pine wood structure and cotton fabric. The artist used several techniques here: relief and acrylic painting, finished with a special protective varnish.

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Very beautiful abstract work by the French painter Dam Domido named Parcours Croisés. While continuing his search for a liberated subjectivity, built on exalted feelings, each touch releases the creative energy of the artist.

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In this work, Stéfanie Raus deploys a minimalist and gestural visual language where the fluidity of the lines interacts with the rigor of the composition. Against a warm, matte brown background, thick, supple, and continuous white lines intertwine to form a labyrinthine network. Here, the artist explores the tension between control and spontaneity: each line seems both calculated and free, evoking perpetual movement. The paint splashes, deliberately left visible, reinforce the organic dimension of the canvas and recall the artist's gesture in the moment of creation. This combination of geometric rigor and vitality of gesture gives the work a presence that is both graphic and meditative. This acrylic canvas perfectly illustrates Stefanie Raus's approach, where abstraction becomes a field of sensory and emotional experimentation, inviting the viewer to lose themselves in the meandering lines and rediscover their own inner rhythm.

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With Abstrakt schwarz weiss XXL , Stéfanie Raus offers an immersion into a universe where rhythm, movement, and pictorial energy intertwine. The monumental canvas unfolds in a radical contrast between deep black and dynamic white lines. These lines, alternately curved, looped, and arabesque, cover the surface like spontaneous writing, an abstract calligraphy that eludes any rational interpretation. The black background acts as a field of intensity against which these repeated gestures stand out, creating an effect of visual vibration. The alternation between density and breathing, between superpositions and free spaces, gives the whole an almost hypnotic musicality. This work is part of Stefanie Raus's constant research: to make abstraction a sensory and immediate language, where the spectator is invited to project his own imagination and let himself be carried away by the force of the gesture.

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The table of Stéfanie Raus depicted in the photo is an abstract work characterized by dominant black brushstrokes on a light cream background. The black shapes, dynamic and expressive, have a raw and irregular appearance. With its imposing dimensions (110x160 cm), the work accentuates the visual impact of these bold strokes, evoking abstract expressionism through its pictorial gesture. The work is delivered rolled, without a frame. A frame of 100x150x2 cm is recommended for its mounting. Each creation of the artist is unique, made by hand using various techniques. Cracks, notches, reliefs and paint projections are an integral part of the style and do not constitute defects, but an assumed artistic choice. All works are hand signed and accompanied by a certificate of authenticity.

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In this work, Stéfanie Raus explores the radicality of contrast and the power of pictorial gesture. A large, dense, and moving black form occupies almost the entire canvas, creating an immediate tension between fullness and emptiness. The light background, left visible in fragments, acts as a luminous counterpoint that emphasizes the depth of the dark mass. The irregular contours and white openings at the heart of the composition suggest an organic, almost calligraphic movement, where black unfolds like raw energy. The peripheral splashes and traces recall the immediacy of the creative act, where the spontaneity of the gesture prevails over any search for formal perfection. With its minimalist strength and visual intensity, this acrylic canvas embodies Stefanie Raus's approach: a painting of the essential, which questions matter, space and the gaze, oscillating between chaos and balance.

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This large-format canvas by Irina Vladau (150 x 150 cm) unfolds like a veritable explosion of textures and colors. The artist plays with shades of powder pink, azure blue, deep gray and luminous white , creating an airy and organic composition. The broad brushstrokes and layering of material give an impression of movement, almost of breathing, as if the canvas captures the ephemerality of a changing sky or a suspended abstract landscape. A few brighter touches – turquoise blue, carmine red or warm brown – punctuate the whole and draw the eye towards areas of density contrasting with lighter and more diffuse spaces. Both abstract and poetic , this work invites contemplation and introspection. The balance between spontaneity and subtle nuances reflects Irina Vladau's quest: to transform raw emotion into pictorial harmony.

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This work represents a woman fragmented into geometric and flat shapes, reminiscent of Picasso's characteristic style. EGHNĀ uses bright, saturated colors typical of pop art, such as bright pink, bright yellow, electric blue, and bold red, to create a striking contrast between the different parts of the woman's face and body. The face is broken down into several simultaneous perspectives, with asymmetrical eyes, a nose in profile, and a mouth seen from the front, creating a dynamic distortion effect. The background of the canvas is a repetitive pattern of abstract shapes in fluorescent colors, highlighting the influence of pop art in the work. EGHNA plays with the textures of acrylic, adding depth to some areas while leaving others smoother, for a visual effect that is both vibrant and enigmatic. The work captures the essence of femininity while reinterpreting it through a modern prism, inviting reflection on the complexity of identity and image in a consumer society. This bold blend of cubism and pop art creates a visual and symbolic tension, echoing themes of fragmented identity and multiple points of view.

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In "Wild Love" , Lasveguix fuses the raw instinct of nature with the urban energy of contemporary street art. This abundant work juxtaposes the majestic, hyperrealistic image of a lion, a symbol of strength and pride, with a chaotic collage of advertisements, graffiti, and torn vintage posters, witnesses to a collective urban memory. The word "YES," painted in bright pink in the center of the canvas, contrasts with the feline's wildness and evokes a surge of acceptance, hope, or raw passion. We also glimpse an illustrated woman, in pop art style, who seems to be looking intensely at the viewer—a nostalgic yet powerful reminder of the female figure in the popular imagination. Here, Lasveguix explores the duality between love and instinct , the civilized and the wild, past and present. The splattered layers of paint, the superimposed typography, and the torn elements give the work an almost musical rhythm, somewhere between tension and harmony. "Amour Sauvage" is a visual statement where tenderness meets power, and where street art becomes the language of primal emotions, expressed with striking intensity.

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Abstract painting on canvas by Austrian artist Jürgen Angeler . This artwork is painted with highly pigmented acrylic paint applied to strong, durable, wrinkle-resistant gallery-quality canvas (210gsm). The image has a total size of 115 x 150 cm and has enough space on each edge to stretch it onto a 100 x 140 cm stretcher. This is a unique work, signed on the back and delivered with its certificate of authenticity.

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In this striking work, Giorgio Stocco reinterprets the iconic Arc de Triomphe , placing it at the heart of a reinvented urban scene, on the border between realism and fantasy. Created digitally and then pasted onto canvas , the composition offers a contemporary interpretation of the Parisian monument , transformed here into a vertical playground. The Arc comes to life: dozens of figures—tiny but animated— climb its facades , cling to its sculptures, wander across the upper terrace, or shelter under a floating tricolor umbrella . The work introduces a fascinating play of scale , between architectural monumentality and human abundance. The background, discreet but present, is composed of printed pages , adding a cultural and textual texture that enriches the reading of the piece. With this offbeat scene, Giorgio Stocco questions the relationship between man and history , between the individual and symbols. He mixes humor, visual poetry and a remarkable technical mastery of digital imagery, served by a collage perfectly integrated into the canvas support , halfway between traditional painting and contemporary digital art.

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This is a work on canvas by Thierry Auger combining several techniques: assemblages, collages and varnishes. This work represents Audrey Hepburn, a British actress from the 1950s, in the foreground, accompanied by Marilyn Monroe. We also observe the logo of the celebrity magazine Paris Match, created in 1949 and of which Audrey Hepburn and Marilyn Monroe have appeared on the covers a large number of times.

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This work by Nicole Lubbers , entirely white, is distinguished by its striking minimalism and profound symbolism. At the center of the composition, the sculpted head of a woman emerges, delicately modeled, expressing a silent serenity. Her features are softened by the smooth texture of the material, evoking purity and timelessness. What makes this piece particularly intriguing is the subtle transition between the human figure and nature. The woman's body gradually merges into a thorny branch, as if her essence were blending with that of nature. The thorns that spring from this branch create a striking contrast with the softness of the head, symbolizing both fragility and resilience, pain and strength. The absence of color in the work amplifies the effect of symbiosis between the body and nature, while suggesting a form of universality, as if the work transcended eras and borders to speak of a broader human truth: the inevitable cohabitation between gentleness and adversity.

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In this striking work, Giorgio Stocco composes a dance between image, text, and color. On a double-page spread from an old dictionary (printed and glued to the canvas), the artist paints a ballerina in full motion, smiling, embodying grace and lightness. The typographic background becomes both stage and decor, where each printed word seems to participate in the ballet. The dancer's dress, made up of red and turquoise diamond patterns, evokes a harlequin's costume, a symbol of elegance and playfulness. Around her, a shower of petals in red, turquoise, and black literally explodes onto the page, blending dynamism and poetry. This profusion of color breaks the rigidity of the printed text and evokes a joyful liberation of artistic expression. With this work, Stocco explores the contrast between structure (the dictionary, a tool of definition and framework) and freedom (movement, color, dance), thus giving a second life to a forgotten page by transforming it into a scene of emotion.

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Painting on canvas done by hand using spray paint, acrylic paint and oil pens on canvas. Dillon Boy here creates a representation of Bart Simpson, an animated character created by Matt Groening in 1987, in pop art and cartoon mode.

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Painting on canvas done by hand using spray paint, acrylic paint and oil pens on canvas. Dillon Boy here creates a representation of Bart Simpson, an animated character created by Matt Groening in 1987, in pop art and cartoon mode.

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