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A very original work, this sculpture was made in Italy using several techniques, notably the laser synthesis technique which allows 3D printing using powder layer by layer. In this sculpture, Popik features Spider-Man (Peter Parker), a superhero evolving in the Marvel universe, trying to escape from the comic strip of which he is the main character.

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This work represents a woman fragmented into geometric and flat shapes, reminiscent of Picasso's characteristic style. EGHNĀ uses bright, saturated colors typical of pop art, such as bright pink, bright yellow, electric blue, and bold red, to create a striking contrast between the different parts of the woman's face and body. The face is broken down into several simultaneous perspectives, with asymmetrical eyes, a nose in profile, and a mouth seen from the front, creating a dynamic distortion effect. The background of the canvas is a repetitive pattern of abstract shapes in fluorescent colors, highlighting the influence of pop art in the work. EGHNA plays with the textures of acrylic, adding depth to some areas while leaving others smoother, for a visual effect that is both vibrant and enigmatic. The work captures the essence of femininity while reinterpreting it through a modern prism, inviting reflection on the complexity of identity and image in a consumer society. This bold blend of cubism and pop art creates a visual and symbolic tension, echoing themes of fragmented identity and multiple points of view.

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Apocalyptic portrait of Andy Warhol, the pope of Pop-art, looking with contempt at the imaginary destruction of the US Capitol, a beacon of democracy, against a backdrop of 100 dollar bills. High quality printing on a brushed aluminum plate measuring 80 cm by 80 cm produced by Kurotory .

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Abstract painting on canvas by Austrian artist Jürgen Angeler . This artwork is painted with highly pigmented acrylic paint applied to strong, durable, wrinkle-resistant gallery-quality canvas (210gsm). The image has a total size of 115 x 150 cm and has enough space on each edge to stretch it onto a 100 x 140 cm stretcher. This is a unique work, signed on the back and delivered with its certificate of authenticity.

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In this striking work, Giorgio Stocco reinterprets the iconic Arc de Triomphe , placing it at the heart of a reinvented urban scene, on the border between realism and fantasy. Created digitally and then pasted onto canvas , the composition offers a contemporary interpretation of the Parisian monument , transformed here into a vertical playground. The Arc comes to life: dozens of figures—tiny but animated— climb its facades , cling to its sculptures, wander across the upper terrace, or shelter under a floating tricolor umbrella . The work introduces a fascinating play of scale , between architectural monumentality and human abundance. The background, discreet but present, is composed of printed pages , adding a cultural and textual texture that enriches the reading of the piece. With this offbeat scene, Giorgio Stocco questions the relationship between man and history , between the individual and symbols. He mixes humor, visual poetry and a remarkable technical mastery of digital imagery, served by a collage perfectly integrated into the canvas support , halfway between traditional painting and contemporary digital art.

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Printing made using digital tools, this proof is limited to 30 copies and printed on Hanhemühle paper. This work is the perfect example of the derision used by Mr Strange : here he presents another version of the ascension of Christ. Delivery time: 2 weeks

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Beautiful unique artist's proof is hand finished with spray and acrylic, created on Somerset Fine Art 350gsm paper, the final image as always from Prefab77 is exceptional, as is the quality of this piece all simply magnificent. This copy measures 104 cm x 54 cm, it is signed, marked "AP" and stamped by the artist. It is accompanied by a certificate of authenticity.

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Aiiroh & Namisen offers us here their version of Astroboy (the little robot) by Osamu Tezuka published between 1952 and 1968 then broadcast in France from 1986. By taking the silhouette of Astro in pencil and integrating psychedelic colors , the 2 artists tick all the boxes of Pop Art. This work uses several Street Art techniques by combining lithography on 300g/m² Fine Art paper combined with acrylic paint applied by hand by the artist. In this work, Aiiroh works in collaboration with the young Japanese artist Namisen. Originally from the suburbs of Osaka, she is a master Shihan, the highest rank in the Japanese calligraphic art, Shodou. After a stint at the Nagoya School of Fine Arts, and influenced by the work of Ernst Kolb, she refined a unique and characteristic style through which she represents these subjects using fine and multiple lines, until obtain disconcerting portraits of light and shadow. His favorite subjects are animated characters, manga and films from his childhood, as well as American icons.

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Discover this magnificent metal sculpture on its wooden support by artistSergiy Kovalenko , a unique blend of Ukrainian and French influences. The work done on the metal sounds like destroyed and damaged materials like its country of origin. Unique piece offered with its certificate of authenticity.

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Modern resin sculpture Sagrasse which combines design and metallic finishes, offering the right answer to those who want to furnish contemporary and trendy environments with an exclusive style. Like a bust from the Roman era, Back to 1500 is made of resin and will combine an antique style with modernity and the work is limited to only 100 copies.

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Back To The Future is a work that uses several Street Art techniques by combining lithography on 300g/m² Fine Art paper combined with acrylic paint applied by hand by the artist Aiiroh . In this work, the artist is inspired by the film Back to the Future, an American science fiction film directed by Robert Zemeckis. This film chronicles the adventures of Marty McFly who travels through time aboard a DeLorean.

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In this striking work, Giorgio Stocco composes a dance between image, text, and color. On a double-page spread from an old dictionary (printed and glued to the canvas), the artist paints a ballerina in full motion, smiling, embodying grace and lightness. The typographic background becomes both stage and decor, where each printed word seems to participate in the ballet. The dancer's dress, made up of red and turquoise diamond patterns, evokes a harlequin's costume, a symbol of elegance and playfulness. Around her, a shower of petals in red, turquoise, and black literally explodes onto the page, blending dynamism and poetry. This profusion of color breaks the rigidity of the printed text and evokes a joyful liberation of artistic expression. With this work, Stocco explores the contrast between structure (the dictionary, a tool of definition and framework) and freedom (movement, color, dance), thus giving a second life to a forgotten page by transforming it into a scene of emotion.

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