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In "Wild Love" , Lasveguix fuses the raw instinct of nature with the urban energy of contemporary street art. This abundant work juxtaposes the majestic, hyperrealistic image of a lion, a symbol of strength and pride, with a chaotic collage of advertisements, graffiti, and torn vintage posters, witnesses to a collective urban memory. The word "YES," painted in bright pink in the center of the canvas, contrasts with the feline's wildness and evokes a surge of acceptance, hope, or raw passion. We also glimpse an illustrated woman, in pop art style, who seems to be looking intensely at the viewer—a nostalgic yet powerful reminder of the female figure in the popular imagination. Here, Lasveguix explores the duality between love and instinct , the civilized and the wild, past and present. The splattered layers of paint, the superimposed typography, and the torn elements give the work an almost musical rhythm, somewhere between tension and harmony. "Amour Sauvage" is a visual statement where tenderness meets power, and where street art becomes the language of primal emotions, expressed with striking intensity.

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Made by the French artist Lasveguix , Guga is an explosive and expressive work celebrating Brazilian tennis legend Gustavo Kuerten. Printed in high quality on Dibond , a rigid aluminum support popular for contemporary works, this piece combines digital techniques, pop art aesthetics and visual collage. In the center, Guga's face in blue profile stands out against a vibrant background saturated with visual references to his career: Roland-Garros, Brazil, Florianópolis, Lacoste, and the great moments of joy that marked his career. Each detail tells a facet of the champion, between sporting power and cultural influence. Printed in just 8 copies , each hand-signed by Gustavo Kuerten himself, this rare work has already aroused the enthusiasm of collectors. The work is mounted on a black aluminum frame. It is a screen print of the original, which was sold on June 24th at the CŒUR CENTRAL gala at Roland Garros for €33,000.

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Dive into the fascinating world of Lasveguix with this street art creation made using mixed collage techniques. Inspired by the iconic poster for Christopher Nolan's film "Interstellar" , this work features a solitary astronaut in black and white, seemingly emerging from the depths of a torn and superimposed world. Around this central image, fragments of colorful posters , urban typography and graffiti in bright tones - red, blue, green and black - create a striking contrast effect. The torn layers, carefully juxtaposed, evoke an atmosphere that is both cinematic and raw , faithful to the essence of street art. The tags and textures add an authentic and dynamic dimension, while the whole work plays with the idea of time and space , like the film that inspires it. Perfect for fans of science fiction , cult cinema and urban art, this unique collage will bring a modern and bold touch to your interior, celebrating both pop culture and contemporary artistic expression.

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Magnificent canvas on stretcher made by Lasveguix using recovery poster, spray can, acrylic paint and posca. The torn posters give relief and substance to the work and give the impression of owning a piece of wall. Lasveguix offers us here a reinterpretation of the Marilyn diptych, a screen print by the American artist Andy Warhol, and also pays homage to the work of the artist Invader!

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This work of Lasveguix is fully part of the world of street art by paying homage to the iconography of Invader. The two pixel art figures, inspired by the famous video game Space Invaders, emerge in the center of the composition, partially covered by layers of torn paper, graffiti and paint. The accumulation of these layers gives the impression of a living urban wall, witness to the passage of time and the interaction between the artist and the city. Inscriptions such as "INVADER WAS HERE" reinforce this direct reference to the French street artist known for disseminating his mosaics around the world. The pastel color palette, mixing blue, pink and beige, contrasts with the raw aspect of the tears and paint splashes, creating a balance between chaos and harmony. Through this work, Lasveguix captures the essence of an urban art in perpetual mutation, where each trace left by an artist becomes a new layer of history.

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In this powerful work, Lasveguix pays homage to Jean-Michel Basquiat, an iconic figure in urban art and African-American culture. Basquiat's black and white face, dressed in a sober suit and tie, contrasts with the chaotic explosion of torn paper, layers of torn posters, colors, and graffiti surrounding him. The classic portrait is literally invaded by a living urban material, highlighting the tension between the frozen icon and the raw energy of the street. Lasveguix's approach consists of deconstructing the image in order to better recontextualize it, in a visual language made of superimposed layers, textures, and half-erased typography. We can distinguish fragments of words ("err," "live," "you"), bursts of pink, yellow, and black paint, as well as splashes that recall the spontaneous gesture of street art. The result is a portrait that is both reverential and organic, in which Basquiat's identity emerges through the visual tumult as a persistent, rebellious, and mythical presence.

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King Kong Wall Fragment is a vibrant work, the fruit of the collaboration between Jérôme Mesnager , famous for his emblematic white figures, and Lasveguix , street artist known for his explosive and colorful world. Against a backdrop of reconstructed urban wall fragments, tagged with multiple graffiti and splashes of bright colors, we find the dynamic silhouette of a "white body" of Mesnager, in confrontation with a ferocious King Kong, taken from a realistic collage. The words "KING," "WHY?" and "BECAUSE" pop up throughout the work, reinforcing its raw and spontaneous message. This framed painting captures all the energy of Parisian street art, mixing symbolic violence, visual poetry and controlled chaos. Framed size: 42 x 32 x 3 cm

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La Danse Amoureuse is a four-handed work that combines two distinct but complementary artistic worlds. On the left, Jérôme Mesnager unfolds his iconic white silhouette, a symbol of life, movement, and freedom. Two stylized bodies intertwine in a fluid dance, vibrant with energy, against a vibrant orange backdrop that intensifies the warmth and vitality of the scene. On the right, the universe of Lasveguix brings an urban and chaotic dimension. Collages, torn posters, popular icons, and fragments of faces compose a teeming mosaic, imbued with memory and street culture. Batman, punk slogans, anonymous portraits, and tags overlap, evoking the fragility of time and the expressive power of the city. The encounter between the two styles creates a poetic tension: Mesnager's timeless, amorous impulse engages with Lasveguix's visual and historical depth. This work thus becomes a metaphor for love at the heart of urban tumult—a light, universal dance that resists the noise and fragments of the contemporary world.

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This work of Lasveguix embraces a raw urban aesthetic, somewhere between collage, repurposing, and graffiti. The background is made up of successive layers of torn-off posters, typographic fragments, and advertising images reminiscent of the city's saturated walls, bearers of overlapping visual memories. In the center, a black and white visual takes up the iconography of the famous video game Space Invaders , accompanied by the word "LOST", reinforcing the idea of disappearance or wandering in the urban visual chaos. Above, a graffiti in thick and spontaneous black letters announces "INVADER WAS HERE", a direct nod to the street artist Invader and his practice of marking territory with his mosaics. A blue halo in the background highlights the inscription, as if to give it a particular aura, while the torn colors and textures of the posters contribute to the palimpsest effect. The work questions traces, memory, and ephemerality in public spaces: what is glued, covered, scratched, and then reappropriated. It creates tension between popular culture (video games, street art) and the poetic decomposition of city walls.

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This work of Lasveguix presents an urban and textured aesthetic, inspired by street art and collage. It juxtaposes iconic graphic elements, including a pixel art visual reminiscent of Space Invader creations, with the words "LOST" and "LOVE" . The word "LOVE" is partially tagged in yellow, transforming the message and creating a tension between loss and hope. The various layers of torn posters, graffiti, and colorful textures give the work an organic and spontaneous dimension, evoking the city walls marked by time and successive artistic interventions. Fragments of words and phrases ("luck," "TIME," "for ever for ever") also feature, adding a poetic and introspective character. Lasveguix 's work here seems to question collective memory, the degradation of time and the interaction between art and urban space.

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Discover this unique work of Lasveguix , a vibrant tribute to the graphic universe of Obey, emblematic of the street art movement. Entitled "Make Art Not War Pink" , this pink version brings a feminine and committed touch, while retaining the power of the militant message that made Obey famous. The piece is distinguished by its torn and superimposed posters, mixed with bright splashes of paint that accentuate the raw and spontaneous effect of the urban collage. The iconic face of Marianne, a timeless symbol of freedom and revolution, occupies the center of the composition, surrounded by a hand-painted frame, an integral part of the work. This original frame reinforces the artistic character of the piece and sublimates the chaotic and textured details of the collage. Each element of the work tells a story: tears, layers of paint, and inscriptions add a captivating visual depth, making each look different. The palette of pinks, whites, and multi-colored bursts evokes a mix of softness and intensity, bringing a unique energy to your space. This piece is much more than just a wall piece: it is a true artistic manifesto , carrying a timeless message in favor of creation and peace. Perfect for collectors, street art lovers, or those who want to breathe a rebellious and chic touch into their interior.

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Add a unique and meaningful piece of urban art to your collection with this exceptional signed work Lasveguix , inspired by the striking graphic style of Obey . Entitled "Make Art Not War White" , this white version symbolizes the purity of artistic creation in the face of the chaos of the contemporary world, while maintaining a committed message in favor of peace and freedom of expression. The piece is distinguished by its torn posters and layered textures , accompanied by paint splatters in bright tones that recall the raw energy of street art. At the center is Marianne , an emblematic figure of the French Republic, here surrounded by blue flowers symbolizing hope and rebirth. Her determined gaze embodies resistance and the power of art to bring about change. The originality of the work also lies in its hand-painted frame , which is an integral part of the composition. Each chip of paint, each inscription, and each layer of collage brings a lively and textured dimension , transforming the work into a true artistic statement. This artwork invites reflection while bringing a chic and contemporary urban aesthetic to your interior. The white, blue and multi-colored bursts blend perfectly with any type of decoration, adding a bold and sophisticated touch to your living or working spaces.

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In Mickey Wall Fragment , Lasveguix revisits the timeless pop culture icon with his explosive urban style. On a reconstructed wall fragment, the artist depicts a joyful Mickey Mouse, surrounded by splashes of vibrant paint and graffiti patterns. The words "LOVE" appear in watermark, infusing a touch of softness into the colorful chaos surrounding the character. Through this vibrant collage, Lasveguix celebrates childhood, love, and the raw energy of street art, while paying homage to the world of cartoons and its universal power. Framed size: 42 x 32 x 3 cm

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Magnificent canvas on stretcher made by Lasveguix in collaboration with Jérôme Mesnager using recycled posters, aerosol spray, acrylic paint and posca. This painting pays tribute to Shepard Fairey (Obey), a very influential American street art artist known for having created the "Hope" poster during the American presidential campaign for Barack Obama's campaign.

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Dive into the unique world of Lasveguix with "The little artist" , a vibrant work mixing urban collage, street art and cinematic nostalgia. Inspired by Charlie Chaplin's vintage poster, this creation reveals a child in black and white, paintbrush in hand, as a tribute to free and creative spirits. Torn textures, bursts of color, and handwritten inscriptions give this piece a striking depth, testifying to the dialogue between past and modernity. The imposing inscription "ART" underlines the central message: artistic expression is a rebellion, a legacy, and a child's play all at once. Add a touch of authenticity and emotion to your interior with this work of character.

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