All artworks

This special edition of the Bearbrick was created in collaboration with atmos , the famous Japanese streetwear and sneaker label. A true tribute to Tokyo, the figurine features the iconic design of the Tokyo and New York subway map , a symbol of the Japanese capital's bustling urban life. The all-over map motif, applied to the Bearbrick's body, transforms this iconic silhouette into a graphic work where design and metropolitan culture collide. The atmos logo is proudly displayed on the chest, reinforcing the connection between street culture and the contemporary aesthetic of the toy-object. Available in 400% and 100% sets, this Bearbrick is a must-have for collectors and fans of design, urban fashion and Tokyo culture.

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This Bearbrick in 400% edition is signed by Tristan Eaton , American artist recognized for his monumental frescoes and his unique style mixing pop art, urban culture and visual collage. On this figurine, Eaton unfolds his explosive universe: a mosaic of faces, retro typography, and graphic references from popular culture and cinema. The design, rich in color and contrast, perfectly embodies the artist's approach, which plays with layers of images and symbols to create dynamic and captivating compositions. The combination of the iconic Bearbrick medium and Tristan Eaton's vibrant aesthetic creates a must-have collector's item, at the crossroads of contemporary art, design and street art. A unique piece of art, ideal for pop culture enthusiasts and discerning collectors.

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This Bearbrick pays homage to the great Japanese master of ukiyo-e prints, Utagawa Kuniyoshi (1798-1861) , famous for his spectacular depictions of warriors, mythological creatures and supernatural scenes. This iconic figurine features a collage of Kuniyoshi's signature works, including his famous skeletons and ghosts, illustrating the dramatic power and graphic energy that characterize his art. Combining the Bearbrick's modern, minimalist design with the visual intensity of traditional prints creates a unique collectible, a crossroads of pop culture and classical Japanese art. Available in sets of 4 00% and 100% , this Bearbrick becomes a true piece of contemporary art, ideal for lovers of design, street culture and Japanese prints.

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The Bearbrick Keith Haring V8 , published by MediCom Toy, celebrates the unique graphic universe of the New York artist Keith Haring , an emblematic figure of street art in the 1980s. On the iconic silhouette of the Bearbrick, we find Haring's characteristic black and red patterns : dancing silhouettes, vibrant lines and small red hearts, expressing energy, movement and humanity. This set combines the two classic formats, 400% and 100% , allowing you to appreciate the design details both in a compact version and as a decorative piece of intermediate size. The white finish, on which Haring's stylized figures are displayed, evokes his murals and chalk drawings in the New York subway. At the crossroads of urban art and contemporary design, this Bearbrick embodies MediCom Toy's desire to transform the figurine into a medium for artistic expression and pays homage to the universal, joyful and committed aesthetic of Keith Haring.

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The Banksy Riot Cop Bearbrick , published by MediCom Toy, pays homage to the subversive and provocative world of British artist Banksy . Inspired by one of his most iconic works, this figurine features the motif of the riot policeman wearing a protective helmet, whose face is replaced by an iconic yellow smiley , a symbol of irony and social criticism. The surface of the figurine features a textured design , combining dark shades, graffiti effects and overlays of patterns, reminiscent of the aesthetics of urban street art. This version is available in several sizes (shown here at 400% and 100% ), allowing collectors to appreciate the details in both the monumental and miniature versions. At the crossroads of contemporary art, design and counter-culture, the Bearbrick Banksy Riot Cop perfectly illustrates Banksy's approach: hijacking symbols of power and authority to oppose them with a critical message that is accessible to the greatest number of people.

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The Bearbrick Marilyn 25 – Andy Warhol 100% & 400% is an exclusive edition paying homage to one of the most famous works of the pop art master, the portrait of Marilyn Monroe created in 1967. This box set brings together two figurines, a 7 cm 100% model and a 28 cm 400% model, entirely covered in Warhol's iconic motif in an explosion of bright colors mixing pink, yellow, blue and black. The artist's signature completes this vibrant design, transforming the object into a true collector's item. Between the timeless aura of Marilyn Monroe, the unique style of Andy Warhol and the creative universe of Medicom Toy, this Bearbrick is a must-have for lovers of contemporary art and design.

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With Abstrakt schwarz weiss XXL , Stéfanie Raus offers an immersion into a universe where rhythm, movement, and pictorial energy intertwine. The monumental canvas unfolds in a radical contrast between deep black and dynamic white lines. These lines, alternately curved, looped, and arabesque, cover the surface like spontaneous writing, an abstract calligraphy that eludes any rational interpretation. The black background acts as a field of intensity against which these repeated gestures stand out, creating an effect of visual vibration. The alternation between density and breathing, between superpositions and free spaces, gives the whole an almost hypnotic musicality. This work is part of Stefanie Raus's constant research: to make abstraction a sensory and immediate language, where the spectator is invited to project his own imagination and let himself be carried away by the force of the gesture.

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In this work, Stéfanie Raus explores the radicality of contrast and the power of pictorial gesture. A large, dense, and moving black form occupies almost the entire canvas, creating an immediate tension between fullness and emptiness. The light background, left visible in fragments, acts as a luminous counterpoint that emphasizes the depth of the dark mass. The irregular contours and white openings at the heart of the composition suggest an organic, almost calligraphic movement, where black unfolds like raw energy. The peripheral splashes and traces recall the immediacy of the creative act, where the spontaneity of the gesture prevails over any search for formal perfection. With its minimalist strength and visual intensity, this acrylic canvas embodies Stefanie Raus's approach: a painting of the essential, which questions matter, space and the gaze, oscillating between chaos and balance.

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In this work, Stéfanie Raus deploys a minimalist and gestural visual language where the fluidity of the lines interacts with the rigor of the composition. Against a warm, matte brown background, thick, supple, and continuous white lines intertwine to form a labyrinthine network. Here, the artist explores the tension between control and spontaneity: each line seems both calculated and free, evoking perpetual movement. The paint splashes, deliberately left visible, reinforce the organic dimension of the canvas and recall the artist's gesture in the moment of creation. This combination of geometric rigor and vitality of gesture gives the work a presence that is both graphic and meditative. This acrylic canvas perfectly illustrates Stefanie Raus's approach, where abstraction becomes a field of sensory and emotional experimentation, inviting the viewer to lose themselves in the meandering lines and rediscover their own inner rhythm.

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In this composition, Eric Lespinasse continues his exploration of the fragile balance between realism and raw material. The female portrait, of great poetic intensity, stands out delicately against a textured background that appears cracked, as if marked by time. The face, with its strikingly precise features, expresses a deep interiority, accentuated by the closed eyes and the serenity of the gesture. The thick, fragmented areas of paint reveal an almost mineral texture, giving the whole a sculptural dimension. Warm hues of ochre, orange, and flesh blend with cool shades of blue and green, creating a vibrant contrast that magnifies the light and emphasizes the sensuality of the body. This large-format giclée on canvas (100 cm wide by 150 cm high) perfectly illustrates Éric Lespinasse's approach, where human emotion meets the expressive force of the material, between fragility and intensity.

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This work of Eric Lespinasse powerfully illustrates his mastery of blending hyperrealism and pictorial material. The female portrait, captured in an attitude of surrender and gentleness, is rendered with an almost photographic precision that contrasts with the textured abstraction of the background. The delicately modeled skin blends in places into thick strokes of color, as if the flesh were in direct dialogue with the paint. The vibrant flat tints—mauve, green, orange, and blue—applied in broad strokes with a knife fragment the composition and give the whole an expressive intensity. Here, the artist plays on the boundary between figuration and abstraction, emphasizing the sensuality of the subject while recalling the raw materiality of painting. This large-format giclée on canvas (100 cm wide by 150 cm high) perfectly captures the unique world of Éric Lespinasse, where human emotion combines with the gestural force of the material.

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This work of Lasveguix embraces a raw urban aesthetic, somewhere between collage, repurposing, and graffiti. The background is made up of successive layers of torn-off posters, typographic fragments, and advertising images reminiscent of the city's saturated walls, bearers of overlapping visual memories. In the center, a black and white visual takes up the iconography of the famous video game Space Invaders , accompanied by the word "LOST", reinforcing the idea of disappearance or wandering in the urban visual chaos. Above, a graffiti in thick and spontaneous black letters announces "INVADER WAS HERE", a direct nod to the street artist Invader and his practice of marking territory with his mosaics. A blue halo in the background highlights the inscription, as if to give it a particular aura, while the torn colors and textures of the posters contribute to the palimpsest effect. The work questions traces, memory, and ephemerality in public spaces: what is glued, covered, scratched, and then reappropriated. It creates tension between popular culture (video games, street art) and the poetic decomposition of city walls.

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This large-format canvas by Irina Vladau (150 x 150 cm) unfolds like a veritable explosion of textures and colors. The artist plays with shades of powder pink, azure blue, deep gray and luminous white , creating an airy and organic composition. The broad brushstrokes and layering of material give an impression of movement, almost of breathing, as if the canvas captures the ephemerality of a changing sky or a suspended abstract landscape. A few brighter touches – turquoise blue, carmine red or warm brown – punctuate the whole and draw the eye towards areas of density contrasting with lighter and more diffuse spaces. Both abstract and poetic , this work invites contemplation and introspection. The balance between spontaneity and subtle nuances reflects Irina Vladau's quest: to transform raw emotion into pictorial harmony.

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This work is born from the meeting of two complementary universes. In the background, Lasveguix creates a vibrant urban fresco: torn posters, fragments of typography, pop culture heroes and torn materials form a raw mosaic, like the walls of a city saturated with collective memory and popular imagination. Among these layers, we can guess the mythical figure of Goldorak , an intergenerational icon, emerging like a heroic totem in the midst of chaos. On the glass that protects the collage, Wawapod intervenes with its characteristic visual language: a grid of colored dots, almost pixelated, which acts as an optical filter and a contemporary reinterpretation. This graphic veil transforms the perception of the work, blurring it and revealing it at the same time, recalling the codes of both digital and screen printing. By combining their gestures, the two artists offer a dual interpretation: Lasveguix's nostalgic and urban memory interacts with Wawapod's rhythmic pop abstraction. The whole becomes a hybrid work, both a tribute to childhood and an aesthetic exploration of the contemporary gaze.

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At the heart of this abundant composition, the Mona Lisa stands out, revisited with the contemporary audacity characteristic of Wawapod . Reinterpreted as a constellation of white dots on a black background, it floats in the center of the canvas like a pixelated apparition, both recognizable and abstract. Its gaze, enigmatic as always, slips into the visual tumult orchestrated by Lasveguix , whose colorful and saturated collages evoke the raw energy of the city walls. Around the Mona Lisa, fragments of popular culture collide: a little girl blowing a bubble of gum, female icons from vintage magazines, typography ripped from the street, hip-hop figures, and fragments of comics. This carefully composed urban chaos powerfully highlights the serenity of the central face. The sticker “ Hello, my name is Amour Toujours, ” Wawapod’s leitmotif, punctuates the work like a declaration of tenderness addressed to Leonardo da Vinci’s icon—and, through her, to the entire history of art. Here, the Mona Lisa is no longer frozen in a museum: she lives, breathes, and evolves in a world of color, noise, and contradictory messages. She becomes a figure of gentle resistance in our image-saturated era.

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In this brilliant work, Willis revisits the ancient myth of Cupid , the god of love, by propelling it into a resolutely contemporary aesthetic. The winged child, bow drawn, prepares to shoot an arrow of love—a universal symbol of desire, passion, and human vulnerability. Against a vibrant yellow background , splashed with dynamic white projections, Cupid's silhouette stands out powerfully. The detailed and organic green wings contrast with the graphic black and white treatment of the body, offering a play of textures and materials. The suspended, almost choreographic posture freezes the movement in mid-flight, reinforcing the dramatic intensity of the gesture. The combined use of stencils , acrylic paint and spray paint reflects the artist's signature style: a confident urban style, a cross between classical and street art. The black "W" in the lower right corner affirms the work's identity. With The Flight of Love , Willis offers a bold reinterpretation of the mythological figure, mixing love, tension and urban energy in a picture that is as pop as it is poetic.

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In this powerful work, Willis , Street Artist, explores the theme of the duality of being through a face split into two contrasting halves. On one side, the character sports a disturbing clownish grin, referring to a chaotic and theatrical figure; on the other, a darker, more realistic face, expressing inner tension. This fusion clearly evokes the Joker from the Batman universe, and more specifically the intense and tormented interpretation by Joaquin Phoenix in the film Joker (2019), where the character oscillates between social marginalization, psychological suffering and an explosion of violence. The textured background in shades of gray and black, treated with a marbled effect, accentuates the latent violence of the composition and highlights the striking contrast of the central portrait. The artist skillfully plays with chiaroscuro , using the stencil as a tool of visual and symbolic impact. At the bottom right, the stenciled "W" print confirms the artist's identity while recalling the urban universe of his creations. With Duality , Willis questions the limits between character and person , between appearance and truth, in a society where masks are omnipresent.

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In this vibrant and poetic work, Jean-Philippe Ghiglione , renowned for his mastery of the poppy in painting, captures all the fragility and power of this iconic flower. Painted in oil with a knife, this 100 cm x 100 cm composition magnifies shapes and textures with an energetic and controlled gesture. The intense red of the petals contrasts with the white background, highlighting the delicate curves and the vitality of the flower. The slender, slightly golden stems evoke a fluid, almost dancing movement, while the budding buds add a touch of narrative: that of the cycle of life. The work demonstrates Ghiglione's characteristic style: an expressive painting, on the border between abstraction and figuration, where the poppy becomes a symbol of freedom, ephemeral beauty and sublime nature.

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Made by the French artist Lasveguix , Guga is an explosive and expressive work celebrating Brazilian tennis legend Gustavo Kuerten. Printed in high quality on Dibond , a rigid aluminum support popular for contemporary works, this piece combines digital techniques, pop art aesthetics and visual collage. In the center, Guga's face in blue profile stands out against a vibrant background saturated with visual references to his career: Roland-Garros, Brazil, Florianópolis, Lacoste, and the great moments of joy that marked his career. Each detail tells a facet of the champion, between sporting power and cultural influence. Printed in just 8 copies , each hand-signed by Gustavo Kuerten himself, this rare work has already aroused the enthusiasm of collectors. The work is mounted on a black aluminum frame. It is a screen print of the original, which was sold on June 24th at the CŒUR CENTRAL gala at Roland Garros for €33,000.

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"Seidenschals" of Ronan Martin is a powerful work that explores the tension between the lightness of movement and the depth of matter. Against a dense, luminous black background, the artist pays explicit homage to Pierre Soulages , working the surface with particular care given to black pigment and glazing , giving the background a vibrant, almost living texture. This black is not absence, but presence: it captures, reflects, reveals. At the heart of this textured darkness, two swirls of color emerge, like silk scarves suspended in space—hence the title, Seidenschals . The pictorial gesture, fluid but controlled, brings out reds, yellows, blues, and greens, in a thick, almost sculpted material. These colored filaments meet at the center in a point of fragile tension, like a moment of grace frozen between two forces. This work engages in a dialogue between light and shadow, matter and movement, abstraction and emotion. It embodies a search for contrast and balance, where black becomes a field of expression rather than a void, and where color becomes breath.

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This work of Jean-Philippe Ghiglione 's dynamic and expressive painting depicts a cavalcade of horses in motion. Painted in oil with a palette knife, it is distinguished by its gestural, semi-abstract style. The horses, rendered in energetic strokes of brown, black, white, and yellow, appear to leap from the canvas, carried along by a powerful and spontaneous momentum. The white background accentuates the effect of speed and freedom, giving the impression that the animals are galloping in a bright, almost unreal light. The material is worked with vigor, evoking both the muscular strength of the horses and the wind surrounding them. The contours are deliberately blurred, reflecting the intensity of the movement rather than the precision of the shapes. The signature at the bottom left - recognizable among other things by its free line - confirms the authenticity of the Ghiglione style, which explores here, as often, the themes of wild nature and animal vitality.

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In this work, Mitch Richmond repurposes the iconic Stormtrooper helmet from the Star Wars universe to create a resolutely contemporary sculpture, as brilliant as it is introspective. Entirely covered in mirror chrome, the object becomes a reflective surface—both literally and figuratively. The mirror effect questions the individual's place in the systems they blindly serve, like the anonymous imperial soldiers. The work oscillates between pop culture and societal critique. By freezing this symbol of conformity and obedience in gleaming metal, Richmond transforms it into a luxurious and paradoxical totem. The viewer sees their own reflection, trapped in a helmet that seems to say, "Who are you behind the mask?" This piece questions identity, standardization, and the power of symbols in our collective imagination. Through this frozen armor, Mitch Richmond invites us to reflect on our own role in the narratives we consume and perpetuate.

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With Saber Lux , Mitch Richmond delivers a personal and poetic interpretation of Luke Skywalker's lightsaber. This patinated metal work doesn't seek to reproduce the object identically, but to capture its essence: that of a passage, a legacy, an object steeped in history as much as symbolism. The patinated bronze treatment, with its dark and deep accents, gives this sculpture the appearance of a sacred, almost mystical object. The lines are clean yet powerful, alternating between soft curves and industrial rigor. Each detail—the hexagonal wheel, the regular grooves, the sculpted finish—evokes the link between ancient and future, between craftsmanship and technology, between myth and material. By revisiting Luke's lightsaber, Richmond goes beyond a simple reference to Star Wars : he questions what it means to inherit, transmit, and transform a collective symbol into a unique, dense, and silent work.

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Mitch Richmond presents a striking sculpture that blends nostalgia and symbolic power. Inspired by science fiction iconography, this metal work immediately evokes the famous lightsaber from the Star Wars saga, revisited here as a timeless relic. The patinated bronze finish reinforces the effect of an ancient, almost archaeological object, as if this piece had survived the ages. The surface treatment, both raw and masterful, gives the object a visual and tactile density, encouraging the viewer to contemplate the artifact no longer as a futuristic weapon, but as a sculpture in its own right. With this gesture, Richmond transforms a symbol of popular culture into a contemporary work of art, playing with the notions of memory, heritage and the transformation of iconic objects.

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