Jérôme Mesnager

Jérôme Mesnager - Galerie d'art dédiée au Pop Art et au Street Art - Pop Art Gallery

Jérôme Mesnager joined the Boulle school in 1974 to train in cabinetmaking, where he then taught. In 1979, he took comics lessons given by Yves Got and Georges Pichard, teachers at the Duperré School of Applied Arts.

In 1982, he was one of the founding members of Zig-Zag, a group of around ten young artists who decided to take to the streets by creating graffiti and organizing ephemeral performances in abandoned factories.

On January 16, 1983, he created the Man in White, a symbol of light, strength and peace. Jérôme Mesnager has reproduced this white silhouette throughout the world, from the walls of Paris to the Great Wall of China.

In 1990, Jérôme Mesnager left his childhood home, where he had met Jean-Pierre Le Boul'ch, founded his associations and created his first works, to settle in the 20th arrondissement of Paris. He exhibited a series of fences on the theme of combat at the Loft gallery, which published a catalog.

In 1995, he created a large mural entitled “It’s us guys from Ménilmontant” in the 20th arrondissement of Paris, rue de Ménilmontant.

Jérôme Mesnager has often collaborated with Némo, whose favorite character is a black silhouette of a man in a raincoat wearing a hat. This collaboration associated him with the Parisian urban art movement, notably with Blek le Rat, Miss Tic, Jef Aérosol, Némo, and Figuration Libre in the early 1980s.

In 2006, Jérôme Mesnager created a series of paintings inspired by art nouveau and art deco. The same year, he carried out an intervention at the Hôtel des Académies et des Arts in Paris by invading the space with his “White Bodies”.

1 product

  • Urban Wall Basquiat Urban Wall Basquiat

    Jérôme Mesnager Urban Wall Basquiat

    1 in stock Shipping within 48 hours

    Urban Wall Basquiat is a powerful collaborative work signed by Jérôme Mesnage and Lasveguix , who pays homage to the legacy of Jean-Michel Basquiat while asserting a style deeply rooted in contemporary urban aesthetics. The composition evokes a city wall marked by time, torn posters, and successive layers of visual interventions. Fragments of posters in shades of yellow, pink, and black, partially ripped, interact with dark areas, tags, and bursts of color, creating a dense, vibrant, and chaotic surface, true to the raw energy of the street. At the heart of the artwork appears the famous white body of Jérôme Mesnager, an emblematic figure of street art, captured in an upward and expressive movement. This luminous figure contrasts with the visual violence of the background and embodies a form of momentum, resistance, and freedom, like a human presence seeking to emerge from the urban tumult. Lasveguix's intervention reinforces the graphic and textural dimension of the whole, through a process of collage, tearing, and layering that echoes Basquiat's radical aesthetic: an instinctive, political, and profoundly vibrant style of painting. The work thus plays on the collective memory of street art, somewhere between homage, reinterpretation, and contemporary reappropriation. Urban Wall Basquiat presents itself as an urban palimpsest, where the history of graffiti, the mythology of modern art, and the raw reality of the street intersect. A committed, vibrant, and resolutely contemporary work, it celebrates the expressive power of urban art as a universal language.

    1 in stock Shipping within 48 hours

    €3.000,00

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