Pop Art Paintings & Artwork

In this work, Lasveguix explores the technique of collage and torn posters to revisit a well-known graphic icon: the Marianne popularized by Shepard Fairey (Obey) . At the center, the stylized and ornamented face emerges through layers of colorful, typographic and handwritten posters, creating a game of progressive unveiling. The composition gives the impression of a fragment torn from an urban wall , like a section of visual palimpsest where successive layers of display tell a collective story. By mixing the visual universe of Obey — a symbol of resistance and counterculture — with his own visual language, Lasveguix composes a piece that is both raw and poetic. The tears, overlays, and textures echo the materiality of the street, where images crumble and reinvent themselves over time. The work thus questions the tension between icon and contemporary appropriation, between shared memory and personal expression. Framed size: 42 x 32 x 3 cm

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With Abstrakt schwarz weiss XXL , Stéfanie Raus offers an immersion into a universe where rhythm, movement, and pictorial energy intertwine. The monumental canvas unfolds in a radical contrast between deep black and dynamic white lines. These lines, alternately curved, looped, and arabesque, cover the surface like spontaneous writing, an abstract calligraphy that eludes any rational interpretation. The black background acts as a field of intensity against which these repeated gestures stand out, creating an effect of visual vibration. The alternation between density and breathing, between superpositions and free spaces, gives the whole an almost hypnotic musicality. This work is part of Stefanie Raus's constant research: to make abstraction a sensory and immediate language, where the spectator is invited to project his own imagination and let himself be carried away by the force of the gesture.

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In this work, Stéfanie Raus explores the radicality of contrast and the power of pictorial gesture. A large, dense, and moving black form occupies almost the entire canvas, creating an immediate tension between fullness and emptiness. The light background, left visible in fragments, acts as a luminous counterpoint that emphasizes the depth of the dark mass. The irregular contours and white openings at the heart of the composition suggest an organic, almost calligraphic movement, where black unfolds like raw energy. The peripheral splashes and traces recall the immediacy of the creative act, where the spontaneity of the gesture prevails over any search for formal perfection. With its minimalist strength and visual intensity, this acrylic canvas embodies Stefanie Raus's approach: a painting of the essential, which questions matter, space and the gaze, oscillating between chaos and balance.

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In this work, Stéfanie Raus deploys a minimalist and gestural visual language where the fluidity of the lines interacts with the rigor of the composition. Against a warm, matte brown background, thick, supple, and continuous white lines intertwine to form a labyrinthine network. Here, the artist explores the tension between control and spontaneity: each line seems both calculated and free, evoking perpetual movement. The paint splashes, deliberately left visible, reinforce the organic dimension of the canvas and recall the artist's gesture in the moment of creation. This combination of geometric rigor and vitality of gesture gives the work a presence that is both graphic and meditative. This acrylic canvas perfectly illustrates Stefanie Raus's approach, where abstraction becomes a field of sensory and emotional experimentation, inviting the viewer to lose themselves in the meandering lines and rediscover their own inner rhythm.

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This large-format canvas by Irina Vladau (150 x 150 cm) unfolds like a veritable explosion of textures and colors. The artist plays with shades of powder pink, azure blue, deep gray and luminous white , creating an airy and organic composition. The broad brushstrokes and layering of material give an impression of movement, almost of breathing, as if the canvas captures the ephemerality of a changing sky or a suspended abstract landscape. A few brighter touches – turquoise blue, carmine red or warm brown – punctuate the whole and draw the eye towards areas of density contrasting with lighter and more diffuse spaces. Both abstract and poetic , this work invites contemplation and introspection. The balance between spontaneity and subtle nuances reflects Irina Vladau's quest: to transform raw emotion into pictorial harmony.

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In this striking work, Gunnar Zyl presents a poetic and urban scene where a child, a black stenciled silhouette, holds up a large red umbrella, emblematic of protection and vulnerability. The strong contrast between the bright red of the umbrella and the deconstructed background in gray, beige and black tones, saturated with graffiti and drips, embodies one of the markers of Zyl's style: the fusion of raw street art with tender or universal symbols . The anonymous figure of the child, imbued with gentleness and nostalgia, evokes innocence in the face of a chaotic world. The umbrella, while meant to protect, itself appears splattered and degraded, as if the protection were imperfect—a subtle metaphor for the challenges we all face as we grow up. The deliberately disordered background evokes a street wall where graffiti becomes memory, noise, or despair. Through this piece, Gunnar Zyl continues his reflection on the fragility of innocence in a saturated urban world , but also on resilience , the act of standing up with dignity in an unstable universe. The work, despite the tension of its contrasts, exudes an energy full of sensitivity and inner strength . It is a powerful canvas, as graphic as it is emotional, which fits perfectly into the artist's universe: at the crossroads of the intimate and the collective, of urban chaos and hope.

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In this striking work, Giorgio Stocco reinterprets the iconic Arc de Triomphe , placing it at the heart of a reinvented urban scene, on the border between realism and fantasy. Created digitally and then pasted onto canvas , the composition offers a contemporary interpretation of the Parisian monument , transformed here into a vertical playground. The Arc comes to life: dozens of figures—tiny but animated— climb its facades , cling to its sculptures, wander across the upper terrace, or shelter under a floating tricolor umbrella . The work introduces a fascinating play of scale , between architectural monumentality and human abundance. The background, discreet but present, is composed of printed pages , adding a cultural and textual texture that enriches the reading of the piece. With this offbeat scene, Giorgio Stocco questions the relationship between man and history , between the individual and symbols. He mixes humor, visual poetry and a remarkable technical mastery of digital imagery, served by a collage perfectly integrated into the canvas support , halfway between traditional painting and contemporary digital art.

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In this striking work, Giorgio Stocco composes a dance between image, text, and color. On a double-page spread from an old dictionary (printed and glued to the canvas), the artist paints a ballerina in full motion, smiling, embodying grace and lightness. The typographic background becomes both stage and decor, where each printed word seems to participate in the ballet. The dancer's dress, made up of red and turquoise diamond patterns, evokes a harlequin's costume, a symbol of elegance and playfulness. Around her, a shower of petals in red, turquoise, and black literally explodes onto the page, blending dynamism and poetry. This profusion of color breaks the rigidity of the printed text and evokes a joyful liberation of artistic expression. With this work, Stocco explores the contrast between structure (the dictionary, a tool of definition and framework) and freedom (movement, color, dance), thus giving a second life to a forgotten page by transforming it into a scene of emotion.

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In Mickey Wall Fragment , Lasveguix revisits the timeless pop culture icon with his explosive urban style. On a reconstructed wall fragment, the artist depicts a joyful Mickey Mouse, surrounded by splashes of vibrant paint and graffiti patterns. The words "LOVE" appear in watermark, infusing a touch of softness into the colorful chaos surrounding the character. Through this vibrant collage, Lasveguix celebrates childhood, love, and the raw energy of street art, while paying homage to the world of cartoons and its universal power. Framed size: 42 x 32 x 3 cm

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This work of EGHNĀ is a canvas painting that fuses the codes of street art with a popular culture icon, here provocatively reworked. It features a stylized and fragmented representation of Mickey Mouse, whose face is covered in graffiti, paint drips, and scribbled texts evoking the urban and rebellious world of graffiti. The color palette is dominated by black, white, gray, and red. The chaotic, saturated background combines mist effects, broad brushstrokes, splashes, and red drips, reminiscent of bloodstains. Inscriptions like "BRONX," "vandal," and illegible graffiti add a protest and underground dimension to the whole. The character's attitude, though humorously hinted at by his wide smile, seems almost menacing or cynical, reinforced by jarring elements like the white X-shaped stitching across his lower face. Hastily scribbled hearts sit alongside more aggressive messages, creating a contrast between the character's supposed innocence and the raw world around him. The work seems to question the place of mass culture in contemporary art, while paying homage to the aesthetic of New York graffiti of the 1980s and 1990s. It evokes a form of desacralization of the Disney myth in favor of a free, raw, almost anarchic expression.

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This canvas made entirely by hand by Dr. Hide is a vibrant and expressive portrait inspired by Charlie Chaplin. The artist uses a bright and contrasting colour palette, mixing hues of blue, red, yellow and pink to give a striking energy to the work. The character, depicted with his iconic bowler hat and bow tie, is painted in a pop art and neo-expressionist style, where shadows and lights are accentuated by dynamic color schemes. The fiery abstract background adds intensity to the image, reinforcing the theatrical character of the subject. Every brushstroke is a testament to Dr. Hide's talent and mastery, delivering a bold, modern tribute to one of cinema's most iconic figures.

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This work of Dr. Hide is an artistic composition made from vinyl cut and assembled in the form of a triptych. The central visual, printed on the main disc, represents the iconic Abbey Road pedestrian crossing, with the silhouettes of the Beatles in shadow, superimposed on a background reproducing the British flag. The inscription "LET IT BE" in large capital letters, accompanied by the subtitle "A CELEBRATION OF THE MUSIC OF THE BEATLES", reinforces the homage to the legendary group. The side vinyls, whose labels are visible (marked "A DECAP SOUND"), complete the composition by creating an effect of symmetry and depth. The artist Dr. Hide plays here on the materiality of the vinyl record, both a musical medium and a plastic element, transforming a cult object into a contemporary work of art.

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This original painting by Freda People , made entirely by hand, pays homage to the Rolling Stones with an artistic fusion between the famous Abbey Road pedestrian crossing and the iconic Stones tongue logo. The work is executed in black, white and red , creating a striking visual effect. The band members move forward in a graphic and expressive style, with paint drips that reinforce the raw and urban effect of the whole. The bright red highlights their clothes and the central logo, while the black and white structures the composition, recalling the style of street art and pop art . Every detail is carefully crafted, offering a modern and dynamic interpretation of the rock universe, where energy and rebellion meet on the canvas.

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The table of Stéfanie Raus depicted in the photo is an abstract work characterized by dominant black brushstrokes on a light cream background. The black shapes, dynamic and expressive, have a raw and irregular appearance. With its imposing dimensions (110x160 cm), the work accentuates the visual impact of these bold strokes, evoking abstract expressionism through its pictorial gesture. The work is delivered rolled, without a frame. A frame of 100x150x2 cm is recommended for its mounting. Each creation of the artist is unique, made by hand using various techniques. Cracks, notches, reliefs and paint projections are an integral part of the style and do not constitute defects, but an assumed artistic choice. All works are hand signed and accompanied by a certificate of authenticity.

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Dive into a vibrant universe with "Call Me Baby Nº10" , a bold work by the contemporary artist Mikko . This painting fuses pop art and abstract expressionism, highlighting a captivating female face that seems to emerge from a rain of vibrant colors. Mikko plays with a vivid palette of yellow, red, pink, blue and green, creating a harmony of spots and splashes that bring life and movement to the work. Bold black lines define the contours of the face and hair, adding depth and intensity to this artistic swirl. Every detail seems to tell a unique story, making this piece perfect for energizing a modern, statement space. Transform your interior with this artistic explosion that embodies Mikko's boundless creativity. A must-have for lovers of modern art and vibrant colors.

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Discover a bold reinterpretation of the famous Mona Lisa in a unique street art style by the artist Quinoa+ (Quinoa Ribes) . Set against a golden background, this painting fuses the timeless elegance of the Renaissance icon with the raw energy of urban graffiti. The symbolic white halo brings a touch of celestial irony, while the colorful lettering and tags, including the words "SEND YOUR CHILD TO ART SCHOOL" and "QUEEN," inject a vibrant and committed modernity. Every detail, from dynamic drips to multi-colored bombs, reveals the duality between tradition and artistic rebellion, making this piece a must-have for lovers of contemporary art and urban culture. Add this iconic work to your collection and give your space a touch of boldness, history and urban creativity.

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This work, created by the artist HÖK , is an explosion of colors, symbols and cultural references that fits into the urban pop art style. The work features a character inspired by the iconography of the Joker, famous for his exaggerated smile and vibrant colors. This character is often used to represent concepts such as duality, madness or social criticism. Elements of pop culture can be seen, including the iconic Coca-Cola logo, which symbolises consumer society and globalisation. Words and phrases like "Love is a game," "Power to the People," and "Love" add a textual dimension, prompting the viewer to reflect on love, power, and ideals. The palette is dominated by bright, saturated colors: red, blue, green, yellow, and pink, typical of pop art. Techniques include paint splashes, graffiti, and overlays, creating an energetic and chaotic effect. Black lines reinforce the contours of the character and give visual structure to the work. The style evokes a fusion between Warhol's pop art and modern street art influences. The use of brands like Coca-Cola and popular cultural figures highlights a critique or reflection on the omnipresence of media and capitalism in our daily lives. In short, this work by Hök is a provocative homage to contemporary culture, combining urban art and pop symbolism. It challenges societal themes while captivating with its visual energy.

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This work by the artist EGHNĀ revisits the iconic Hello Kitty character in a bold and saturated street art style. The face of the famous cat is at the center, but distorted and enriched with a set of graffiti, tags and vibrant graphic elements. Hello Kitty's thick black outline is accentuated by touches of pink, red and black that give her an almost irreverent look, in contrast to her traditional and refined appearance. On the upper part, handwritten inscriptions, such as "NAME KITTY HELLO?" and expressions in black letters, add a layer of questioning or reinterpretation. Heart motifs, stylized eyes, and words like "LOVE" and "CUTE" appear in a deconstructed way. A strong visual contrast is created by the layers of pink paint and the black strokes that cover certain parts, giving an impression of controlled chaos and irony. The word "HELLO K." painted in pink capital letters at the bottom of the work, and the phrases "BYE BYE BYE" and "LOVE" on the right side reinforce the idea of a dialogue between the familiar character and her contemporary transformation. This juxtaposition symbolizes cultural appropriation and the transformation of pop elements into tools of protest and artistic expression. The mix of techniques and styles, typical of street art, conveys a bittersweet critique of consumerism and the ideal image that Hello Kitty represents.

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This work by the artist Quinoa+ (Quinoa Ribes), made in a street art style, is inspired by a classic painting while revisiting it in a modern and bold way. It represents a draped female figure reminiscent of Vermeer's paintings (The Milkmaid), particularly in her contemplative posture and the light that seems to fall on her face. The background is a soothing blue that contrasts with the vibrant superimposed elements. The figure is surrounded by colorful graffiti, tags, and abstract elements that partially cover the scene, infusing energy and movement. There are words such as "FUN" and various patterns in yellow, pink, blue, and green that recall urban art. These additions illustrate a collision between classical art and contemporary urban culture, symbolizing both modernity and the legacy of the past. A humorous inscription "Send Your Child to Art School" also appears, adding a note of satire.

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This artwork made with acrylic paint on canvas by pop art artist EGHNĀ depicts the character Snoopy in a vibrant and dynamic style. The background consists of shades of red, white, and pink, forming an abstract and energetic texture. Snoopy is depicted with a broad smile and a prominent red heart surrounded by motifs of smaller hearts and various handwritten texts such as “LOVE SONG” and “POP LOVE”. The brushstrokes appear deliberately expressive, giving a sense of energy and spontaneity. Elements such as lines, scribbled drawings, and written phrases reinforce the joyful and emotional aspect of the piece.

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Mikko 's "Campbells Spray Fuck The Police" is a powerful piece that evokes the spirit of protest and provocation. In a style very similar to that of Banksy, Mikko juxtaposes innocence and rebellion by featuring a police officer, a child and a Campbell's soup can, a pop culture icon. The police officer, a symbol of authority, stands next to a child whose carefree attitude contrasts with the act of defiance represented by the name of the work "Fuck The Police". The colorful background, a whirlwind of bright and chaotic colors, is a visual explosion of mixed media. Using acrylic paint, masks, markers, spray paint, pencils and giclée, Mikko creates a rich and dynamic texture that adds depth to the scene, while reinforcing the intensity of the message. The irony of the famous Campbell's soup can, symbol of mass culture and consumer society, underlines the implicit critique of institutions. This work, both provocative and aesthetically striking, is part of a tradition of committed art, where each visual element contributes to the narration of a message of social resistance.

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