Sculptures

With Starboy , Mitch Richmond creates a sculptural tribute to the futuristic imagination and robotic aesthetic popularized by music and pop culture. Inspired by Daft Punk's iconic helmet, the artist offers a sleek version, frozen in a mirrored gold alloy that captures the surrounding space as much as it distorts it. The helmet's perfectly smooth, reflective surface evokes a presence that is both human and dehumanized—an androgynous, faceless figure suspended between machine and emotion. By using gold, Richmond imbues the object with a sacred, almost mythological dimension: the robot becomes an idol. Starboy embodies this tension between individuality and anonymity, between technology and identity. It's a portrait of the 21st century, where the ego fades behind shiny interfaces, where the artist fades behind the avatar.

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In this work, Mitch Richmond repurposes the iconic Stormtrooper helmet from the Star Wars universe to create a resolutely contemporary sculpture, as brilliant as it is introspective. Entirely covered in mirror chrome, the object becomes a reflective surface—both literally and figuratively. The mirror effect questions the individual's place in the systems they blindly serve, like the anonymous imperial soldiers. The work oscillates between pop culture and societal critique. By freezing this symbol of conformity and obedience in gleaming metal, Richmond transforms it into a luxurious and paradoxical totem. The viewer sees their own reflection, trapped in a helmet that seems to say, "Who are you behind the mask?" This piece questions identity, standardization, and the power of symbols in our collective imagination. Through this frozen armor, Mitch Richmond invites us to reflect on our own role in the narratives we consume and perpetuate.

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With Saber Lux , Mitch Richmond delivers a personal and poetic interpretation of Luke Skywalker's lightsaber. This patinated metal work doesn't seek to reproduce the object identically, but to capture its essence: that of a passage, a legacy, an object steeped in history as much as symbolism. The patinated bronze treatment, with its dark and deep accents, gives this sculpture the appearance of a sacred, almost mystical object. The lines are clean yet powerful, alternating between soft curves and industrial rigor. Each detail—the hexagonal wheel, the regular grooves, the sculpted finish—evokes the link between ancient and future, between craftsmanship and technology, between myth and material. By revisiting Luke's lightsaber, Richmond goes beyond a simple reference to Star Wars : he questions what it means to inherit, transmit, and transform a collective symbol into a unique, dense, and silent work.

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Mitch Richmond presents a striking sculpture that blends nostalgia and symbolic power. Inspired by science fiction iconography, this metal work immediately evokes the famous lightsaber from the Star Wars saga, revisited here as a timeless relic. The patinated bronze finish reinforces the effect of an ancient, almost archaeological object, as if this piece had survived the ages. The surface treatment, both raw and masterful, gives the object a visual and tactile density, encouraging the viewer to contemplate the artifact no longer as a futuristic weapon, but as a sculpture in its own right. With this gesture, Richmond transforms a symbol of popular culture into a contemporary work of art, playing with the notions of memory, heritage and the transformation of iconic objects.

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In this astonishing sculpture, Filippo Pietro Castrovinci reinterprets Spider-Man through a resolutely contemporary approach, using Corten steel as a medium of expression. Created by superimposing cut metal layers , the work forms a stylized silhouette of the head of the famous superhero, immediately recognizable by its dynamic and taut structure. The choice of Corten steel—a raw material that develops a patina over time—reinforces the idea of a hero anchored in reality , shaped by the layers of his history, his struggles, and his human duality. The sliced construction evokes a three-dimensional scan or a digital model stopped in its tracks, frozen in a post-industrial aesthetic . The piece dialogues between strength and fragility , matter and emptiness , mask and identity , offering a reading on several levels: Spider-Man becomes a symbol of resilience , but also of fragmentation - as if his figure itself were deconstructed by the weight of the modern world.

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With Banksy Bomb , Van Apple offers a sculpture as ironic as it is striking, merging the animal world with the military universe. Made of chrome resin , the turtle has a smooth and shiny body, contrasting with a shell transformed into a black tactical helmet , which becomes the heart of the artistic statement. On each side of the helmet, the artist has incorporated a reproduction of an iconic Banksy work, reinforcing the dialogue between street art, social satire and contemporary sculpture . These motifs, both critical and recognizable, inject a dose of rebellion and humor into the piece. The juxtaposition between the peaceful slowness of the turtle and the armed, technological and committed universe evoked by the helmet and Banksy's visuals, offers a reading on several levels: between resistance and absurdity , fragility and armor , long time and social urgency .

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In The Flowers Gun , Van Apple repurposes a universal symbol of violence—the revolver—to create a resolutely peaceful and poetic work. The sculpture, chrome-plated or gilded depending on the version, represents a firearm whose barrel releases a vibrant bouquet of flowers, in colored resin or metal, symbolizing beauty, life, and hope. True to his contemporary pop art style, Van Apple blends visual provocation with a committed message: here, the artist invites us to disarm the world through culture, love, and nature. The Flowers Gun is not just an aesthetic object; it is a manifesto against violence, a celebration of peace, and a call to wonder in a world too often dominated by brutality. With this strong and bold work, Van Apple continues his work on contrasts and the diversion of objects, offering a piece that leaves no one indifferent.

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This emblematic work of Karl Lagasse revisits the US one-dollar bill through a bold interpretation that blends street art, pop art, and contemporary abstraction . Created on a wavy relief structure , the piece combines strong visual elements—such as the pyramid and the eagle—with vivid paint drips and layered textures , the artist's signature aesthetic. Each copy is numbered and signed by the artist , and bears witness to his work on the notion of value , both monetary and artistic. A striking piece that questions our relationship to money, to icons and to art.

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Karl Lagasse revisits the iconic American one-dollar bill in a striking artwork that fuses economic symbolism with contemporary artistic expression. Playing with the contrasts between monetary rigor and the energy of street art, the artist applies vibrant touches of red, blue, and black to the bill's surface, creating a dynamic, almost three-dimensional effect. The work, curved as if floating in space, illustrates the flexibility and fragility of the perceived value of money. George Washington, the central figure, seems to emerge from this chromatic mixture, recalling the permanence and transformation of money through the prism of art. Signed and numbered, this limited edition of 33 embodies Lagasse's vision of economy, abstraction and luxury, making each piece an exclusive collector's item.

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Work by Mark Sugar from 2024 titled “Challenge” from the series “ Contemporary Masks 2024 ” limited to 33 copies. Other works by the artist can be found in various venues and private galleries in New York, London, Milan, Amsterdam, Brussels, Antwerp, Paris, Hong Kong, Geneva, Lugano, Forte dei Marmi, Pietrasanta and Brescia. Here we see a masked woman, like an anonymous person, who fights for her freedom.

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Very original bronze sculpture by artist Mitch Richmond named "Leader" inspired by the mask of the cyborg warriors from the game and the Halo series. This bronze is cast, welded and polished by hand and will delight fans of the game or series.

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Modern resin sculpture Sagrasse which combines design and metallic finishes, offering the right answer to those who want to furnish contemporary and trendy environments with an exclusive style. Like a bust from the Roman era, "Change point of view" is made of resin and will combine an antique style with modernity and the work is limited to only 100 copies.

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Harissart is the fruit of the passion of two long-time friends. Their creations are largely inspired by their memories of adolescence and more generally the 90s. More than 30 years ago, Nintendo launched its first consumer portable console: the Game Boy! This console sold nearly 119 million copies worldwide between 1990 and 2003. The Game Boy is the incarnation par excellence of Proust's madeleine for teenagers of the 90s. Iconic, it marks the beginning of the era of video games in homes around the world. Harissart wants to immerse you again in your adolescence by offering you these two plastic cases of the Nintendo Game Boy, positioned on an Aludibond frame. Both consoles are painted and varnished in a body paint booth. This work is a limited edition of 50 copies, numbered, signed and delivered with its certificate of authenticity.

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Original creation for all fans and collectors of Warhol's artistic universe. Here, SKE , artist Self-taught Frenchman, a jack of all trades, pays homage to Warhol by reworking one of his works around an aerosol can: Campbell's Soup Cans. This is an original work signed and numbered with certificate of authenticity.

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Modern resin sculpture Sagrasse which combines design and metallic finishes, offering the right answer to those who want to furnish contemporary and trendy environments with an exclusive style. Like a bust from the Roman era, Back to 1500 is made of resin and will combine an antique style with modernity and the work is limited to only 100 copies.

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