Lasveguix

Urban Wall of Lasveguix is an emblematic work that captures the raw and authentic essence of the street, drawing direct inspiration from urban walls marked by time, successive interventions, and layers of collective memory. The surface of the work evokes a fragment of the city torn from its context, where ripped posters, traces of paint, graffiti, and spontaneous signs are superimposed. The worn, almost eroded textures interact with vivid, contrasting colors—bright yellows, acid pinks, deep blues, and charcoal blacks—creating a visual tension between decay and vitality. The inscriptions and symbols, partially legible, reveal words, hearts, or universal signs, like fragmented messages left by anonymous individuals. Lasveguix's approach is both instinctive and controlled. Through collage, tearing, and painting, the artist constructs an urban palimpsest where each layer tells a different story. The work thus becomes a living testament to public space, its chaotic energy, and its power of free expression. With Urban Wall , Lasveguix doesn't seek to represent the city, but rather to capture its essence, its scars, and its raw poetry. The work invites the viewer's gaze to wander, to decipher its layers, and to feel the intensity of an art born in the street, deeply rooted in reality and resolutely contemporary.

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With Urban Malabar , Lasveguix subverts the codes of advertising and popular imagery to reveal their mechanisms and excesses. The central figure, a smiling, retro-style character, seems to emerge from a pile of torn posters and graphic fragments. His deceptively reassuring expression, combined with the raised thumbs-up gesture, evokes a promise of standardized happiness, instantly recognizable yet profoundly ironic. The word "MALABAR," imposing and colorful, stands out like an advertising slogan torn from its original context. Around it, layers of torn paper, splashes of pink paint, and abraded areas convey the visual violence of urban space and the constant saturation of commercial messages. Here, collage becomes a battleground between graphic seduction and the erosion of reality. The chromatic contrasts—bright yellows, deep blacks, off-whites, and touches of pink—reinforce the immediate impact of the work while underscoring its critical nature. Behind the playful, pop aesthetic lies a reflection on consumerism, the repetition of images, and the superficiality of advertising. With this work, Lasveguix situates his art within a direct lineage of street art and pop art, transforming a familiar icon into an ambiguous symbol. Malabar acts as a jarring mirror to our image-driven society, where outward enthusiasm often masks a more fragmented and chaotic reality.

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With Pop Skull , Lasveguix revisits the universal iconography of the skull through a resolutely pop and urban language. At the center of the composition emerges a stylized skull, rendered in black and white, almost screen-printed, which stands out as a figure both familiar and unsettling. Its fixed smile oscillates between irony and provocation, recalling the tenuous boundary between popular culture and contemporary memento mori. The artwork is constructed from a dense collage of torn posters, fragmented typography, logos, and media references. The vivid colors—saturated yellows, electric blues, pinks, and blacks—create a striking contrast with the monochrome skull, accentuating its visual impact. This chaotic layering evokes urban walls covered with advertisements, slogans, and ephemeral messages. The tears, torn layers, and abraded areas are integral to the narrative of the work. They reflect the wear and tear of time, the saturation of the image, and the visual violence of our contemporary environment. The skull, a timeless symbol of death, is thus confronted with the excess of signs and consumerism, becoming a pop icon emptied of its original gravity, but imbued with a new critical irony. With Pop Skull , Lasveguix offers a striking work at the crossroads of street art and pop art, where the seductive aesthetic masks a deeper reflection on mass culture, the repetition of images, and the trivialization of symbols. The work stands as a jarring mirror of our times, at once playful, violent, and profoundly contemporary.

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With Le Mans , Lasveguix pays homage to an icon of cinema and automotive culture by merging street art aesthetics, urban collage, and collective memory. At the center of the composition appears the intense face of Steve McQueen, the mythical figure from the film Le Mans (1971), embodying speed, control, and a form of raw freedom associated with motor racing. The artwork is constructed from fragments of torn posters, ripped-off typography, and superimposed visual layers, evoking city walls marked by time. The tears, cracks, and erased areas create a tension between appearance and disappearance, like a memory reconstructed from traces. The race number, graphic references, and textual elements reinforce the historical and symbolic grounding of the work. The contrast between the black and white portrait and the bursts of vibrant colors—yellows, blues, greens, and reds—energizes the composition and conveys the energy of the race, the noise, the speed, and the adrenaline of the circuit. This chromatic opposition also underscores the dialogue between past and present, between a timeless icon and contemporary visual language. Through Le Mans , Lasveguix does more than simply represent a cult figure: he reinserts it into the urban space, confronting it with the ravages of time and the visual violence of the street. The work thus becomes a manifesto that is both nostalgic and modern, celebrating the legend, the mechanics, and the collective imagination linked to the mythology of speed.

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On this authentic road sign, Lasveguix presents a new variation on his signature urban aesthetic. At the center, a female figure inspired by Obey's iconography emerges from a dense collage of poster fragments, shattered typography, and vibrant colors. The portrait's deep blue contrasts with the layers of torn paper surrounding it, evoking the ephemeral and dynamic nature of city walls. The reflective texture of the panel, still visible beneath the collage, creates a subtle interplay of light and reinforces the contrast between the rigidity of street furniture and the expressive freedom of street art. The panel's red borders frame the composition, a reminder of its functional origins, now repurposed as an artistic medium. The superimposed layers of paper, sometimes worn, sometimes vibrant, give the whole an almost sculptural depth. One perceives the accumulation of time, the traces of passages, the visual narratives that overlap to form a fragment of the city frozen in a moment. With this work, Lasveguix blurs the lines between symbol, raw material, and urban aesthetics. He transforms a utilitarian object into a medium imbued with visual poetry, where the icon is reborn in the heart of urban chaos, between collective memory and artistic reinvention.

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On this genuine, repurposed road sign, Lasveguix deploys one of his signature artistic techniques: a vibrant collage, saturated with fragments of posters, shattered typography, and urban textures that seem torn from the city walls. At the heart of this composition emerges the figure of Marianne, inspired by Obey's aesthetic, a symbol of freedom and civic engagement. Marianne's silhouette emerges like a revelation amidst a controlled visual chaos. The torn layers, vibrant colors, and overlapping paper create a sense of depth reminiscent of the natural erosion of urban walls, where posters follow one another, overlap, and ultimately tell a collective story. The reflective background of the sign, partially visible beneath the artistic interventions, creates a striking contrast between the rigidity of the traffic code and the free-spirited energy of street art. The splashes of pink paint, the graffiti, and the artist's signature reinforce the impression of an object taken from public space and transformed into a unique work of art. With this piece, Lasveguix plays on boundaries: those between republican symbol and pop culture, between regulated space and personal expression, between erasure and revelation. The work becomes a fragment of the city, frozen in time, where Marianne is reborn in the heart of urban chaos.

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In this unique work, Lasveguix repurposes a real road sign, transforming it into an artistic medium rich in meaning and contrasts. At the heart of the sign, a fragmented collage reveals an iconic image of Charlot, the legendary character portrayed by Charlie Chaplin, sitting with a small dog. This emblematic figure of silent cinema emerges through layers of torn posters, partially legible typography, and overlapping urban motifs. The reflective background of the sign, still visible in places, creates a striking dialogue between the regulated world of road signs and the raw energy of street art. The blackened edges, scratches, and tags added by the artist reinforce the impression of an object taken from the street and reinvented. The layering of textures—torn paper, traces of glue, natural wear and tear, and painted interventions—lends the piece an almost archaeological dimension. Like a fragment of the urban landscape frozen in time, the panel tells the story of the street while paying homage to Chaplin, a timeless symbol of humanity, poetry, and melancholy. By using a medium as codified and functional as the traffic sign, Lasveguix blurs the lines between art, street furniture, and poetic subversion. The work then becomes a hybrid object, both familiar and subversive, where iconic tradition and urban chaos meet to form a piece with a powerful and evocative aesthetic.

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This work of Lasveguix boldly reinterprets the iconic Laughing Cow , a familiar figure in French popular culture, by placing it in a vibrant urban setting. At the center of the composition, the famous smiling red cow appears in large format, surrounded by torn posters, raw textures, typographic fragments, and tags that create a living wall, typical of the artist's street art style. The slogan "Vachement Bon" (Very Good) appears at the top, while the bottom of the image reveals, partially hidden beneath torn posters, the inscription "La Vache qui Rit" (The Laughing Cow) . This interplay of superimpositions creates a visual tension between the original advertising message and its contemporary reinterpretation. By blending nostalgia for an advertising icon, street energy, and the poetic chaos of collage, Lasveguix repurposes an everyday symbol, transforming it into an art object. The work plays on contrasts: between graphic cleanliness and urban wear, between smooth imagery and fragmented textures, between collective memory and artistic reappropriation. With this dynamic and expressive composition, Lasveguix places La Vache qui Rit at the heart of his universe: a space where pop culture, street culture and creation meet and reinvent themselves.

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In this powerful work, Lasveguix pays homage to Jean-Michel Basquiat, an iconic figure in urban art and African-American culture. Basquiat's black and white face, dressed in a sober suit and tie, contrasts with the chaotic explosion of torn paper, layers of torn posters, colors, and graffiti surrounding him. The classic portrait is literally invaded by a living urban material, highlighting the tension between the frozen icon and the raw energy of the street. Lasveguix's approach consists of deconstructing the image in order to better recontextualize it, in a visual language made of superimposed layers, textures, and half-erased typography. We can distinguish fragments of words ("err," "live," "you"), bursts of pink, yellow, and black paint, as well as splashes that recall the spontaneous gesture of street art. The result is a portrait that is both reverential and organic, in which Basquiat's identity emerges through the visual tumult as a persistent, rebellious, and mythical presence.

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This piece of Lasveguix presents an urban and contemporary reinterpretation of a global icon: Mickey Mouse. Against a bright blue background, the famous Disney character is depicted in a classic style with his red shorts and wide smile, but he is partly covered by a chaotic collage of torn paper, slashed posters, and layers of paint. The juxtaposition of the sharpness of the cartoon with the raw, fragmented look of the collage evokes a tension between nostalgia, popular culture, and the erasure of time. The bursts of vivid color (red, blue, black, yellow) combined with the torn materials bring a dynamism that seems to burst Mickey's image out of its original frame. At the bottom right, the signature "Lasveguix" anchors the work in the world of street art and pop art, faithful to the style of the artist who likes to mix popular references and street aesthetics.

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This work of Lasveguix presents an urban and textured aesthetic, inspired by street art and collage. It juxtaposes iconic graphic elements, including a pixel art visual reminiscent of Space Invader creations, with the words "LOST" and "LOVE" . The word "LOVE" is partially tagged in yellow, transforming the message and creating a tension between loss and hope. The various layers of torn posters, graffiti, and colorful textures give the work an organic and spontaneous dimension, evoking the city walls marked by time and successive artistic interventions. Fragments of words and phrases ("luck," "TIME," "for ever for ever") also feature, adding a poetic and introspective character. Lasveguix 's work here seems to question collective memory, the degradation of time and the interaction between art and urban space.

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This work of Lasveguix is fully part of the world of street art by paying homage to the iconography of Invader. The two pixel art figures, inspired by the famous video game Space Invaders, emerge in the center of the composition, partially covered by layers of torn paper, graffiti and paint. The accumulation of these layers gives the impression of a living urban wall, witness to the passage of time and the interaction between the artist and the city. Inscriptions such as "INVADER WAS HERE" reinforce this direct reference to the French street artist known for disseminating his mosaics around the world. The pastel color palette, mixing blue, pink and beige, contrasts with the raw aspect of the tears and paint splashes, creating a balance between chaos and harmony. Through this work, Lasveguix captures the essence of an urban art in perpetual mutation, where each trace left by an artist becomes a new layer of history.

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“Urban Little Girl” – A daring work by Lasveguix Dive into the powerful world of Lasveguix with "Urban Little Girl" , a work where street art meets the history of pop culture and protest. Between torn posters, bright colors and raw textures, this unique composition captures the vibrant energy of the street. In the center, a little girl in black and white, brush raised, seems to redefine her world through art. Her innocent and rebellious gesture contrasts with the cultural icons that surround her, notably the influence of the OBEY movement and the rock spirit of Nirvana . This visual dialogue between revolt and poetry underlines a powerful message: artistic expression is a weapon, a freedom and a timeless voice. Transform your interior with this committed work, a symbol of raw emotion and creative independence.

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Dive into the unique world of Lasveguix with "The little artist" , a vibrant work mixing urban collage, street art and cinematic nostalgia. Inspired by Charlie Chaplin's vintage poster, this creation reveals a child in black and white, paintbrush in hand, as a tribute to free and creative spirits. Torn textures, bursts of color, and handwritten inscriptions give this piece a striking depth, testifying to the dialogue between past and modernity. The imposing inscription "ART" underlines the central message: artistic expression is a rebellion, a legacy, and a child's play all at once. Add a touch of authenticity and emotion to your interior with this work of character.

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Dive into the world of Lasveguix with Urban Notre-Dame , a powerful work where street art dialogues with history. By mixing a black and white photograph of the cathedral with an urban collage made of torn posters, graffiti and raw textures, the artist captures the soul of Paris, between grandeur and resilience. This contemporary interpretation resonates even more today, as Notre-Dame continues its rebirth after the fire that marked it. Through this fusion of chaos and harmony, Urban Notre-Dame becomes a tribute to memory and reconstruction, embodying both the fragility and strength of an emblematic monument. Its striking aesthetic, where colors and materials intertwine, makes this work a unique piece, ideal for art and heritage enthusiasts. It invites us to see beauty where time and hardship leave their mark, transforming a symbol into a powerful and timeless artistic expression.

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Dive into the captivating world of Lasveguix with Urban Sacré-Cœur , a work where street art meets the iconic architecture of Paris. This urban collage, mixing torn posters, graffiti and black and white photography of the Sacré-Cœur Basilica, captures the vibrant essence of the capital. Every detail tells a story, between modernity and heritage, chaos and harmony. This work embodies all the authenticity of urban art, with a striking visual intensity thanks to its textures and contrasts. By revisiting an emblematic symbol of Paris with audacity, Urban Sacré-Cœur becomes a strong piece, ideal for bringing a contemporary and artistic touch to your interior. A unique work, it is aimed at art lovers looking for a raw and vibrant expression of the urban landscape.

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Dive into the fascinating world of Lasveguix with this street art creation made using mixed collage techniques. Inspired by the iconic poster for Christopher Nolan's film "Interstellar" , this work features a solitary astronaut in black and white, seemingly emerging from the depths of a torn and superimposed world. Around this central image, fragments of colorful posters , urban typography and graffiti in bright tones - red, blue, green and black - create a striking contrast effect. The torn layers, carefully juxtaposed, evoke an atmosphere that is both cinematic and raw , faithful to the essence of street art. The tags and textures add an authentic and dynamic dimension, while the whole work plays with the idea of time and space , like the film that inspires it. Perfect for fans of science fiction , cult cinema and urban art, this unique collage will bring a modern and bold touch to your interior, celebrating both pop culture and contemporary artistic expression.

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Discover this unique creation by Lasveguix , brilliantly blending urban collage and cultural homage . At the heart of the composition, a timeless icon of cinema , Charlie Chaplin , elegantly emerges from a vibrant background of bright yellow. His mischievous gaze and famous costume add a retro touch, while contrasting with the torn and superimposed posters. The multiple layers reveal fragments of concert posters, old typography and graffiti in bright tones — blue, red, black — creating a rich and dynamic depth effect . The subtle integration of black tags reinforces the street art authenticity, offering a raw but refined work, faithful to the urban aesthetic. This unique piece celebrates the heritage of the 7th art while resolutely anchoring itself in the modernity of the streets. Perfect for lovers of urban art and cinema, it will bring a bold and colorful artistic touch to any interior.

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Magnificent canvas on stretcher made by Lasveguix using recovery poster, spray can, acrylic paint and posca. The torn posters give relief and substance to the work and give the impression of owning a piece of wall. Lasveguix offers us here a reinterpretation of the Marilyn diptych, a screen print by the American artist Andy Warhol, and also pays homage to the work of the artist Invader!

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Magnificent work created using recycled materials (torn posters, cardboard), all enhanced using spray paint, posca, bic and stickers. Here the artist Lasveguix creates a magnificent, very detailed painting, which represents a section of a wall in Paris, incorporating many of the city's references (Eiffel Tower, Leonard de Vinci's Mona Lisa, luxury brands, etc.) and which is will fit very well into your home.

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