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Street Lights - Pink
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€500,00
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A Manhattan street awash in magenta. This version of the series pushes its chromatic approach to the extreme: the city is no longer painted in its own colors, but in a single color—a saturated, almost aggressive electric fuchsi...
Street Lights - Orange
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€500,00
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A New York avenue ablaze with the light of sunset, where the city seems to catch fire. Of the entire Street Lights series, this version is undoubtedly the most chromatically daring: here, orange reigns supreme. The composition ...
Street Lights - Purple
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€500,00
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A metropolitan street captured in broad daylight, beneath the white, damp light of a passing shower. Unlike the nighttime versions in the series, this canvas plays with brightness — and with violet. The composition adopts a cla...
Street Lights - Black
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€500,00
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A big-city avenue at night, after the rain. That is the entire subject of the painting—and much more than that. The composition is organized around a powerful central perspective: the road recedes into the distance toward a glo...
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Adam Wajerczyk: Polish contemporary painter, self-taught

Adam Wajerczyk is a contemporary Polish painter, self-taught and based in the Kuyavian-Pomeranian Voivodeship in northern Poland. He primarily works in oil on canvas and has become known for his abstract figurative paintings, poised between landscape and pure sensation. 

The city is his preferred subject. A specialist in urban landscapes, he situates his work within informal painting and Abstract Expressionism. Rain-soaked streets, streetlights, façades shrouded in mist, silhouettes of passersby reduced to quick strokes: Wajerczyk does not paint the city as a backdrop but as an atmosphere. His canvases—often large in format—capture the moment when architecture dissolves into light, and reality tips into pictorial matter. 

The composition always remains legible: a perspective, an axis, a light source. Yet it is disrupted by generous impasto, drips, scraping, and knife marks that allow the paint to live on its own. His works are distinguished by a particularly harmonious chromatic balance, in which grays, deep blues, and warm ochres are arranged around a few flashes of light—a car headlight, a shop window, a reflection on the asphalt. 

This approach gives his paintings a dual reading: from a distance, a recognizable urban scene, often nocturnal or at dusk; up close, an abstract field of textures and chromatic vibrations. It is in this gap that the artist’s signature lies.

Without going through the academic system or major institutional exhibitions, Adam Wajerczyk has built his reputation through the work itself. His success in Poland led him to enter the Western market and join European galleries. His canvases are now sought after by collectors in Poland, throughout the rest of Europe, and as far afield as America and Australia.

Each work is painted by hand, signed, varnished, and accompanied by a certificate of authenticity.

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